Taro Hakase, 古澤巖's ' "SWINGIN' BACH_Improvisation sur Le 1e mouv. du Concerto en R" was released on its scheduled release date, September 6, 2006. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Time has come". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. In terms of popularity, SWINGIN' BACH_Improvisation sur Le 1e mouv. du Concerto en R is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With SWINGIN' BACH_Improvisation sur Le 1e mouv. du Concerto en R by Taro Hakase, 古澤巖 having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 愛しみのチャルダッシュ | 古澤巖 | E Minor | 8 | 9A | 177 BPM | ||
| ガブルエルのオーボエ | Ennio Morricone, 古澤巖 | B♭ Major | 3 | 6B | 71 BPM | ||
| 篤姫(メインテーマ) | Ryo Yoshimata | F Major | 6 | 7B | 142 BPM | ||
| マリーノのコンチェルト4番、第1楽章「Sonoran」 | Roberto Di Marino, 古澤巖 | G Minor | 8 | 6A | 176 BPM | ||
| ポル・ウナ・カベサ - 映画「セント・オブ・ウーマン」より | C.ガルデル, Narimichi Kawabata | G Major | 2 | 9B | 97 BPM | ||
| Apref un Reverie | Gabriel Fauré, Hanspeter Gmür, Camerata Romana | F Minor | 1 | 4A | 95 BPM | ||
| エルガー:愛の挨拶 | 髙橋宗芳, 丹 千尋 | E Major | 2 | 12B | 114 BPM | ||
| シシリエンヌ | Gabriel Fauré, セルジュ・ボド, Czech Philharmonic Chamber Orchestra | G Minor | 1 | 6A | 97 BPM | ||
| Swing56 | The Screen Tones | G Major | 5 | 9B | 100 BPM | ||
| Alemberts | Fapy Lafertin Quintet, Tim Kliphuis | C Major | 4 | 8B | 108 BPM | ||
| スペイン | Naoko Terai | B Minor | 6 | 10A | 142 BPM | ||
| モーツァルト:オーボエ協奏曲ハ長調 K.314/285dより 第1楽章 ピアノ伴奏版 | Wolfgang Amadeus Mozart, のだめカンタービレ | C Major | 2 | 8B | 124 BPM | ||
| ビタミン | Yukie Nishimura, NH&K TRIO | D♭ Minor | 6 | 12A | 97 BPM | ||
| 少女がみたもの | Yukie Nishimura, NH&K TRIO | G Major | 0 | 9B | 120 BPM | ||
| 神様のカルテ | Nobuyuki Tsujii | A Major | 2 | 11B | 129 BPM | ||
| 薬膳との出会い | Nobuyuki Nakajima | G Major | 1 | 9B | 124 BPM | ||
| 財前のテーマ ― 愛の日々 | Takashi Kako | A Minor | 2 | 8A | 87 BPM | ||
| ちはるのテーマ - Episode8 Mix | Kano Kawashima | A Major | 3 | 11B | 177 BPM | ||
| ヴァイオリン協奏曲《四季》 - 「冬」第1楽章 | Antonio Vivaldy, 古澤巖 | F Minor | 4 | 4A | 170 BPM | ||
| あし笛の踊り「くるみ割り人形」より | Pyotr Ilyich Tchaikovsky, ホワイトオーケストラ | A Minor | 2 | 8A | 141 BPM | ||
| 新世界 | Antonín Dvořák, KRYZLER & KOMPANY | B Minor | 8 | 10A | 140 BPM | ||
| Youmans / Arr Harris: Tea for Two | Vincent Youmans, Yehudi Menuhin, Jan Blok, John Etheridge, Pierre Michelot, Ronnie Verrell, Rosemary Furniss | F Major | 3 | 7B | 98 BPM | ||
| 「海の上のピアニスト」~愛を奏でて (モリコーネ) | Kentaro Haneda | D Major | 1 | 10B | 68 BPM | ||
| START! | Taro Hakase | G Major | 8 | 9B | 125 BPM | ||
| 「ちりとてちん」メインテーマ・ロングバージョン | Nao Matsushita | F Major | 4 | 7B | 118 BPM |