On September 2, 2014, the song "Tim-Tim por Tim-Tim" was released by Jaques Morelenbaum. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The song is number 1 out of 13 in Cellosam3atrio - Saudade do Futuro Futuro da Saudade by Jaques Morelenbaum. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. In terms of popularity, Tim-Tim por Tim-Tim is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Tim-Tim por Tim-Tim by Jaques Morelenbaum is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tesoura Do Desejo | Alceu Valença, Zizi Possi | E Major | 3 | 12B | 132 BPM | ||
| Preciso Me Encontrar - From "Central do Brasil" | Antonio Pinto, Jaques Morelenbaum | D Minor | 5 | 7A | 155 BPM | ||
| Vias de Fato | Metá Metá | E Minor | 5 | 9A | 93 BPM | ||
| Cinco Cantos de Moçambique | Mauricio Tizumba | E Major | 6 | 12B | 92 BPM | ||
| Mãe Lua | Nicole Salmi | C Minor | 4 | 5A | 106 BPM | ||
| Cantiga No. 7 | Carlos Nuñes, Zé Miguel Wisnik, Martin Codax, Sec. Xiii, Rita Ribeiro | B♭ Major | 4 | 6B | 92 BPM | ||
| Harpa dos Ares - Ar | Zé Ramalho, Lula Côrtes | A Major | 5 | 11B | 84 BPM | ||
| A Carte de Dora - From "Central do Brasil" | Antonio Pinto, Jaques Morelenbaum | D Minor | 5 | 7A | 155 BPM | ||
| Obatalá | Metá Metá | E Major | 2 | 12B | 94 BPM | ||
| Cânticos De Exu | Ouroba | E Major | 4 | 12B | 146 BPM | ||
| Ogum pai | Os Tincoãs | F Minor | 5 | 4A | 130 BPM | ||
| Dó a Dó | Jaques Morelenbaum, Jaques Morelenbaum Cellosam3atrio, Lula Galvão, Rafael Barata | A♭ Major | 2 | 4B | 113 BPM | ||
| Oxum | Grupo Ofa | F Major | 7 | 7B | 121 BPM | ||
| Assim Sem Mais | Paulinho Moska, Jaques Morelenbaum | G Major | 2 | 9B | 61 BPM | ||
| Carta de Amor | Maria Bethânia | G Major | 3 | 9B | 88 BPM | ||
| Mestre Rei Dos Mares Chegou | A Barca | C Major | 5 | 8B | 83 BPM | ||
| É D?Oxum | Catia Guimma | B♭ Major | 7 | 6B | 94 BPM | ||
| Atabaque Chora | Os Tincoãs | C Major | 7 | 8B | 124 BPM | ||
| Ewa | Lucio Sanfilippo, Roberta Nistra | G Major | 3 | 9B | 90 BPM | ||
| Fulô | Casa De Farinha | A Minor | 5 | 8A | 99 BPM | ||
| Mameto Kalunga | Orquestra Afrosinfônica, Gerônimo Santana, Lazzo Matumbi | E Major | 5 | 12B | 79 BPM | ||
| Ogum | Serena Assumpção, Gustavo Souza, Tatá Aeroplano, Tulipa Ruiz | A Minor | 4 | 8A | 128 BPM | ||
| Central do Brasil - From "Central do Brasil" | Antonio Pinto, Jaques Morelenbaum | D Minor | 5 | 7A | 155 BPM | ||
| Te Recuerdo Amanda | Paolo Fresu, Daniele di Bonaventura, Jaques Morelenbaum | E♭ Major | 1 | 5B | 95 BPM | ||
| Óh Lua | Cristina Tati, Nanda Lin | D Minor | 3 | 7A | 73 BPM |