On August 13, 2008, the song "Baisons Nous Belle" was released by The New York Renaissance Band. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 40 in Arbeau: Orchesographie by The New York Renaissance Band. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Baisons Nous Belle is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Baisons Nous Belle by The New York Renaissance Band is Prestissimo (even faster than presto), since this song has a tempo of 201 BPM. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lamento Di Tristano And La Rotta | Cheryl Ann Fulton | A Minor | 1 | 8A | 130 BPM | ||
| Suite in C Minor from Ms. Lobkowicz: V. La volage Passacaille | Charles Mouton, Anders Ericson | B Minor | 1 | 10A | 103 BPM | ||
| Suite No. 1 in C Major: I. Passameze and gaillarde | Michael Praetorius, The New York Renaissance Band, Sally Logemann | C Major | 2 | 8B | 99 BPM | ||
| La Tarantela | Gaspar Sanz, Pierre Pitzl, Private Musicke | F♯ Major | 0 | 2B | 121 BPM | ||
| Sancta Trinitas | Antoine de Févin, Paolo Cherici | G Major | 1 | 9B | 134 BPM | ||
| Suite in G Major: V. Musette de Monsieur Marais | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Folias | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 1 | 8B | 105 BPM | ||
| L'aspido sordo | Donato da Cascia, La Reverdie | C Major | 1 | 8B | 88 BPM | ||
| Ma viële | Gautier De Coincy, Catherine Sergent, Alla Francesca | E♭ Major | 0 | 5B | 116 BPM | ||
| Red-House | The Broadside Band | G Major | 1 | 9B | 84 BPM | ||
| Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
| L'ennuy Qui Me Tourmente | The New York Renaissance Band | C Major | 3 | 8B | 98 BPM | ||
| Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | ||
| La segonda retroencha | Guiraut Riquier, Martin Best Medieval Ensemble | D Minor | 2 | 7A | 121 BPM | ||
| Premier livre de danseries: Suite de Bransles de Champaigne | Jean d’Estrées, Into the Winds | C Major | 2 | 8B | 125 BPM | ||
| Baxa de Contrapunto | Luis de Narváez, Lutz Kirchhof | A Minor | 1 | 8A | 105 BPM | ||
| Tourdion | The New York Renaissance Band | E Minor | 1 | 9A | 106 BPM | ||
| Una sarao de la chacona, "a la vida bona" | Juan Arañés, Piffaro | F♯ Major | 2 | 2B | 140 BPM | ||
| Triste plaisirs | Gilles Binchois, Into the Winds | F Minor | 0 | 4A | 66 BPM | ||
| Instrumental piece III | Hildegard von Bingen, Sequentia, Barbara Thornton, Margriet Tindemans | C Major | 0 | 8B | 136 BPM | ||
| Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
| Lo vegio per stasone | Antonio da Cividale, Ferrara Ensemble, Crawford Young | F Major | 0 | 7B | 79 BPM | ||
| Lord Strang's March, P. 65: Lord Strange's March, P. 65 | John Dowland, Nigel North | F Minor | 1 | 4A | 78 BPM | ||
| Suite No. 2 in G Major: VI. Gaillarde | Michael Praetorius, The New York Renaissance Band, Sally Logemann | G Minor | 1 | 6A | 122 BPM | ||
| Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM |