The Rake's Progress, Act II: Anne! Here! by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner Song Details

"The Rake's Progress, Act II: Anne! Here!" by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner had its release date on August 4, 2017. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. The Rake's Progress, Act II: Anne! Here!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Stravinsky: The Rake's Progress". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Italy. Based on our statistics, The Rake's Progress, Act II: Anne! Here!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Rake's Progress, Act II: Anne! Here! by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Music Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.018 dB
Acousticness: 99%
Danceability: 28%
Energy: 22%
Instrumentalness: 0%
Liveness: 11%
Loudness: 72%
Speechiness: 5%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Symphonie fantastique, H. 48: II. Un bal. Valse	Hector Berlioz, Orchestre de Paris, Klaus Mäkelä	A Major	1	11B	100 BPM
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La Mer, L. 109: I. De l'aube à midi sur la mer	Claude Debussy, Valery Gergiev, London Symphony Orchestra	F♯ Major	0	2B	90 BPM
Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro	Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle	D Minor	0	7A	126 BPM
Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 2. Les augures printaniers - Danses des adolescentes	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	1	3B	66 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Concerto grosso no.1 (1976-77): 2. Toccata: Allegro	Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff	D Major	5	10B	134 BPM
String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento	Antonín Dvořák, Hagen Quartett	D Minor	1	7A	88 BPM
Pini di Roma, P. 141: I. I pini di Villa Borghese	Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli	G Minor	1	6A	65 BPM
Romeo and Juliet, Op. 64 - Act 1: The Duke's Command - Interlude	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	F Major	3	7B	125 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
The Firebird Suite (1919 Version): I. Introduction	Igor Stravinsky, Leonard Bernstein, New York Philharmonic	C Minor	0	5A	87 BPM
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato	Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst	C Major	0	8B	105 BPM
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	E Minor	1	9A	125 BPM
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	B♭ Minor	1	3A	86 BPM
Ligeti : Romanian Concerto : III Adagio, ma non troppo	György Ligeti, Jonathan Nott, Berliner Philharmoniker	F Major	0	7B	73 BPM
Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): I. Act I. Opening - Interlude 1 - Interlude 2	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	D Minor	0	7A	141 BPM
Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	B♭ Major	1	6B	170 BPM
L'Arlésienne Suite No.2: Pastorale	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	80 BPM