"Prospettive e Retrospettive" by Louis Andriessen, Ralph van Raat had its release date on March 24, 2024. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 27 in Base by Louis Andriessen, Ralph van Raat. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Prospettive e Retrospettive is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Prospettive e Retrospettive by Louis Andriessen, Ralph van Raat is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| the little match girl passion: we sit and cry | David Lang, Theatre Of Voices, Paul Hillier | B♭ Minor | 1 | 3A | 145 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| A room (Two Pieces for Harp) - 1942 | John Cage, Floraleda Sacchi | D♭ Minor | 1 | 12A | 86 BPM | ||
| Ad genua | Anna Thorvaldsdottir, Carolyn Sampson, Choir of Clare College, Cambridge, Dmitri Ensemble, Graham Ross | A♭ Major | 1 | 4B | 91 BPM | ||
| Partita for 8 Singers: 4. Passacaglia | Caroline Shaw, Roomful of Teeth, Brad Wells | C Minor | 5 | 5A | 120 BPM | ||
| Winter Was Hard, Op. 20 (arr. for Chorus, Organ & String Quartet by Kronos Quartet) | Kronos Quartet | E Minor | 0 | 9A | 68 BPM | ||
| Akhnaten: Act III, Scene 4: Epilogue | Philip Glass, Dennis Russell Davies | F Major | 1 | 7B | 72 BPM | ||
| Banish Sorrow | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | F Major | 1 | 7B | 102 BPM | ||
| National Day of Mourning | David Jacques | E Major | 1 | 12B | 70 BPM | ||
| Broken morning (feat. Nora Fischer) | Louis Andriessen, Esa-Pekka Salonen, Los Angeles Philharmonic, Nora Fischer | A Minor | 0 | 8A | 79 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| September IV | Sarah Neutkens, Nederlands Saxofoon Octet | E♭ Major | 1 | 5B | 176 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | B♭ Minor | 0 | 3A | 92 BPM | ||
| Slow Twitchy Organs | Nico Muhly, James McVinnie | B♭ Minor | 0 | 3A | 92 BPM | ||
| Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | B♭ Minor | 0 | 3A | 92 BPM | ||
| De Staat: i. Beginning | Louis Andriessen, London Sinfonietta, Synergy Vocals, David Atherton | F Major | 3 | 7B | 106 BPM | ||
| Movement I: Heroes | Philip Glass, Dennis Russell Davies, Sinfonieorchester Basel | F Major | 1 | 7B | 120 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Plan & Elevation: IV. The Orangery | Caroline Shaw, Attacca Quartet | A Major | 1 | 11B | 117 BPM | ||
| Ittrospezione III (Concept III) | Louis Andriessen, Gerard Bouwhuis, Sepp Grotenhuis, Peter van Bergen, Marjan Damste, Howard Williams | C Minor | 2 | 5A | 105 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| Alain: Berceuse sur deux notes qui cornent | Jehan Alain, Marie-Claire Alain | A♭ Major | 0 | 4B | 68 BPM | ||
| Theatre of the World: Epilogue | Louis Andriessen, Los Angeles Philharmonic, Reinbert de Leeuw | A Minor | 1 | 8A | 132 BPM | ||
| For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 60 BPM | ||
| China Gates | John Adams, Bruce Brubaker | E♭ Minor | 1 | 2A | 153 BPM |