"Tzaddikum" by Richard D. Ruttenberg had its release date on December 19, 2017. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Shemoneh Esrei Project". In this album, this song's track order is #14. The popularity of Tzaddikum is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tzaddikum by Richard D. Ruttenberg having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Selichot | Richard D. Ruttenberg | C Major | 2 | 8B | 78 BPM | ||
| Big Fat Willis | Jimmy Haslip, Richard D. Ruttenberg, Kevin Crockett | G Major | 7 | 9B | 110 BPM | ||
| Morning Talk Show Beat 2 | AfterHours Audio | G Minor | 6 | 6A | 100 BPM | ||
| It's Like That! | Groove Frequencies, Vince Wiley | B Minor | 6 | 10A | 92 BPM | ||
| Velvet Heat | Supermax | B Minor | 6 | 10A | 75 BPM | ||
| Moonset Dotscape | Skyline Dots | E Minor | 3 | 9A | 101 BPM | ||
| Tease in 3/4 | Luvkin | F♯ Major | 4 | 2B | 120 BPM | ||
| Musa del Mare | Loungephoria | F Minor | 4 | 4A | 126 BPM | ||
| Retrospectively | The Max Da Costa Trio | D♭ Major | 3 | 3B | 92 BPM | ||
| Ventina | Aran Benjo | B Minor | 6 | 10A | 92 BPM | ||
| Binyan Yerushalaim | Richard D. Ruttenberg | D♭ Minor | 7 | 12A | 160 BPM | ||
| Irgun | Richard D. Ruttenberg | F Major | 5 | 7B | 120 BPM | ||
| Umbrella Charts | Shoreline Collective | B Minor | 6 | 10A | 92 BPM | ||
| Armónicos vitales | Neural Overload | A♭ Minor | 4 | 1A | 129 BPM | ||
| munchies | me time. | A Minor | 2 | 8A | 179 BPM | ||
| Caffè Marina Lane | glooowy | G Minor | 6 | 6A | 90 BPM | ||
| First Orbit - Studio Live Session | Simon Phillips, Ernest Tibbs, Otmaro Ruiz, Jacob Scesney, Alex Sill | D♭ Major | 4 | 3B | 129 BPM | ||
| Invariance Principle | Superflier | B Minor | 6 | 10A | 92 BPM | ||
| Archive Etude | Aftertone Quartet | B Minor | 6 | 10A | 92 BPM | ||
| Último acorde | Fluxar | B Minor | 6 | 10A | 92 BPM | ||
| Midnight Pawprints | Stray Dogs Orchestra | F Minor | 1 | 4A | 127 BPM | ||
| Joy Is a Good Groove | Down To The Bone | G Minor | 8 | 6A | 169 BPM | ||
| Latebinding Notes | Aftertone Quartet | B Minor | 6 | 10A | 92 BPM | ||
| Narrow Table | Balcony Lounge Session | E Minor | 6 | 9A | 92 BPM | ||
| Five Or More | Vibes & Tones | B Major | 7 | 1B | 94 BPM |