"コンコーネ 50番: 39番 Allegretto" by Giuseppe Concone, 浅田啓子, 東井美佳 had its release date on October 25, 1993. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. コンコーネ 50番: 39番 Allegretto's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in コンコーネ 50番 (中声用) [固定ド唱] -監修:原田茂生-, so we believe that "コンコーネ 50番: 39番 Allegretto" is a single. In terms of popularity, コンコーネ 50番: 39番 Allegretto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of コンコーネ 50番: 39番 Allegretto by Giuseppe Concone, 浅田啓子, 東井美佳 is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Burgmuller: Ave Maria | Franz Burgmüller, SoonHwon Kwon | A Major | 2 | 11B | 79 BPM | ||
| コンコーネ 50番: 1番 Moderato assai | Giuseppe Concone, 浅田啓子, 東井美佳 | C Major | 1 | 8B | 90 BPM | ||
| Sonata No. 8 Pathetique in A-Flat Major: II. | J.K. Hodge | A♭ Minor | 1 | 1A | 71 BPM | ||
| Grand Battement E-Flat Major (48) | Jack Lloyd O'Donnell, Wireless Lovebird | B Major | 0 | 1B | 92 BPM | ||
| Aires de la Pampa, op. 63: Arrastrando el Ala - Remasterizado | Adrián Romero | D Minor | 2 | 7A | 174 BPM | ||
| 36 Originaltänze, D.365: No.19 and No.20 in G Major | Songs of Birdland, Mu Dimon, Classical of Birdland | B♭ Major | 1 | 6B | 92 BPM | ||
| Brandenburg Concerto | Imogen Beauchamp | C Major | 2 | 8B | 76 BPM | ||
| Concerto, Op. 06, No. 2: IV. Allegro Ma Non Troppo (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | A Minor | 0 | 8A | 204 BPM | ||
| Extremely Hard | Salvatore Migliacci | G Minor | 1 | 6A | 111 BPM | ||
| Warm Up 4/4 (Intermezzo Op.76 n°7) | The Ballet Pianist | A Minor | 1 | 8A | 70 BPM | ||
| The Last Dinner | Cecilia Tuomikoski | D♭ Minor | 0 | 12A | 74 BPM | ||
| Romeo and Juliet (Battements Tendus1) | Miwa Hoshi | F♯ Minor | 2 | 11A | 80 BPM | ||
| A Theme from Cantata BWV 147 | Barnesanger Og Vuggesanger TaTaTa, Barnvisor och Barnsånger TaTaTa, Musik Pengantar Tidur Anak | G Major | 3 | 9B | 78 BPM | ||
| 50 Lessons, No. 31 in C Major, Op. 9 (Melody Added) | Giuseppe Concone, Xavier Palacios | A Major | 1 | 11B | 107 BPM | ||
| Sonatine II | Peppe Grande | D♭ Minor | 0 | 12A | 108 BPM | ||
| Plies 1 4/4 | Tanya Gordon | E Major | 8 | 12B | 130 BPM | ||
| Sweet and Low Down (Grand Battement) | Trisha Wolf | A Minor | 0 | 8A | 204 BPM | ||
| コンコーネ 50番: 35番 Moderato | Giuseppe Concone, 嶺貞子, 勝郁子 | E Minor | 1 | 9A | 69 BPM | ||
| Come What May (Adage) | Joey McNamara | G Major | 1 | 9B | 109 BPM | ||
| Crimson Leaf Serenade | Martin Walker | D Major | 1 | 10B | 111 BPM | ||
| Fourteen Degrees | Tom Adorno | F Major | 1 | 7B | 54 BPM | ||
| Lost You Forever | Eka SW | E Minor | 3 | 9A | 126 BPM | ||
| Till Death Do Us Part | J.K. Hodge | C Major | 0 | 8B | 83 BPM | ||
| Mírame | Xoel Massó | G Major | 0 | 9B | 100 BPM | ||
| Placement B Minor (64+16) | Jack Lloyd O'Donnell, Wireless Lovebird | B Major | 0 | 1B | 92 BPM |