Victor Rathnayake's ' "Hitha Mithuru Sulanga" was released on its scheduled release date, January 1, 1977. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Hitha Mithuru Sulanga's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Sa". In this album, this song's track order is #8. Based on our statistics, Hitha Mithuru Sulanga's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Hitha Mithuru Sulanga by Victor Rathnayake having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eil Mahe Sanda | Damith Asanka | B Minor | 6 | 10A | 93 BPM | ||
| Obage Wiman Thalawe | Chandana Liyanarachchi | F♯ Minor | 7 | 11A | 96 BPM | ||
| Wen Wenna | Damith Asanka | G Minor | 5 | 6A | 87 BPM | ||
| Ananda Ananda | Manjula Prakash, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Ran Tharaka | Nihal Gamhewa, Chandana Liyanarachchi | F Minor | 7 | 4A | 164 BPM | ||
| Choodaarathnam | P. Madhuri | B♭ Minor | 4 | 3A | 121 BPM | ||
| Sanasanna Ma | Namal Udugama | G Minor | 4 | 6A | 110 BPM | ||
| Wana wadule | Chamara Weerasinghe | C Major | 8 | 8B | 105 BPM | ||
| Ambare dili dili | T M Jayarathna | E Minor | 8 | 9A | 102 BPM | ||
| Lowama Epa Wee | Nanda Malini, Sunil Ariyaratne, Mervin Perera | D Minor | 3 | 7A | 78 BPM | ||
| Nan Pa Sang K Da Khoboono | Gulnar Begum, Khyal Muhammad | F♯ Minor | 6 | 11A | 122 BPM | ||
| Andura Andura Mage | Priya Sooriyasena | A♭ Major | 6 | 4B | 178 BPM | ||
| Laksha Ganan Wasthu Labee | W. D. Amaradeva, Mahagama Sekara, J A Milton Perera, Daya Sandanayake, C.T. Fernando, Anton Rodrigo | A♭ Minor | 7 | 1A | 95 BPM | ||
| Me Jeewanaye Mulu Sansare | J A Milton Perera | D♭ Minor | 5 | 12A | 133 BPM | ||
| Kisi Ki Yaad Kou Seeney | Abida Parveen | F♯ Minor | 3 | 11A | 98 BPM | ||
| Sree Vadakum Nadha | K. Unnikrishnan | F Minor | 5 | 4A | 82 BPM | ||
| Jiboner Golpo | Abdul Hadi, Monir Khan, Abida Sultana | E♭ Major | 5 | 5B | 192 BPM | ||
| Thashrifum | K. J. Yesudas, Vilayil Faseela | D♭ Major | 7 | 3B | 130 BPM | ||
| Esata Asuwana Maime | Karunarathna Divulgane | B♭ Major | 4 | 6B | 101 BPM | ||
| Na Hoy Mon Dite Tumi Parona | Akhil Bandhu Ghosh | E♭ Major | 3 | 5B | 159 BPM | ||
| Gela Wata Banda Wu | Priya Suriyasena, Niranjala Sarojini | A♭ Major | 3 | 4B | 113 BPM | ||
| Ami Chilam Putra Jamidar | Gostho Gopal Das | E Major | 2 | 12B | 109 BPM | ||
| Tomar Sahar Sonar Sahar | Kumar Sanu | C Major | 5 | 8B | 75 BPM | ||
| Hayre Pitoler Kolshi | Sabina Yasmin | C Major | 6 | 8B | 181 BPM | ||
| Jeevan Dekhi Dherai Dherai | Gopal Yonjan, Narayan Gopal | D♭ Major | 5 | 3B | 61 BPM |