- BPM
- 128
- Key
- A♭ Minor
- Camelot
- 1A
Il giardino di rose, R.503.19: Prima Parte: Chi del cielo (Aria) by Alessandro Scarlatti, Alicia Amo, La Ritirata, Josetxu Obregon Song Details
Alessandro Scarlatti, Alicia Amo, La Ritirata, Josetxu Obregon's ' "Il giardino di rose, R.503.19: Prima Parte: Chi del cielo (Aria)" was released on its scheduled release date, February 14, 2025. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Scarlatti: Il giardino di rose". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Based on our statistics, Il giardino di rose, R.503.19: Prima Parte: Chi del cielo (Aria)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
With Il giardino di rose, R.503.19: Prima Parte: Chi del cielo (Aria) by Alessandro Scarlatti, Alicia Amo, La Ritirata, Josetxu Obregon having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -16.616 dB
- Acousticness
- 88%
- Danceability
- 37%
- Energy
- 19%
- Instrumentalness
- 0%
- Liveness
- 35%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 56%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa Votiva in E Minor, ZWV 18: XIX. Agnus dei | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš Král | E♭ Minor | 2 | 2A | 98 BPM | |
 | Stabat mater: XIII. Fac me vere tecum flere | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | |
 | Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo | Pietro Locatelli, Freiburger Barockorchester, Gottfried Von Der Goltz | B Minor | 1 | 10A | 134 BPM | |
 | Orlando Furioso, RV 728, Act I Scene 10: Aria. Sol da te mio dolce amore | Antonio Vivaldi, Paul-Antoine Bénos-Djian, Café Zimmermann, Pablo Valetti | A♭ Major | 1 | 4B | 126 BPM | |
 | Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | |
 | Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | |
 | Purcell: The Indian Queen, Z. 630, Act 2: Symphony. Adagio | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | F♯ Major | 0 | 2B | 174 BPM | |
 | Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) "Matrona inimica" | Antonio Vivaldi, Rachel Redmond, Jordi Savall, Le Concert Des Nations | A Major | 3 | 11B | 174 BPM | |
 | Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | |
 | Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: I. Allegro | Alessandro Marcello, Venice Baroque Orchestra | B Major | 1 | 1B | 138 BPM | |
 | Credo, RV. 591: Coro "Crucifixus etiam pro nobis" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | |
 | Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | |
 | Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | |
 | Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | |
 | Scarlatti, A: Il Pirro e Demetrio, Act 2: "Fra gl'assalti di Cupido" (Pirro) | Alessandro Scarlatti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 4 | 3B | 152 BPM | |
 | Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | |
 | Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 139 BPM | |
 | La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward Tarr | A♭ Minor | 0 | 1A | 99 BPM | |
 | Il Trionfo della Divina Giustizia: "Vanne o Sol d'eterna luce" | Nicola Porpora, Blandine Staskiewicz, Thibault Noally, Les Accents | F Minor | 1 | 4A | 132 BPM | |
 | Oboe Concerto in G Minor: Largo | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 1 | 7A | 82 BPM | |
 | Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | |
 | Zelenka: Confitebor tibi Domine, ZWV 71: I. Confitebor | Jan Dismas Zelenka, Collegium Marianum, Jana Semeradova, Tomáš Šelc | B Minor | 2 | 10A | 165 BPM | |
 | Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | |
 | Requiem aeternam | Joseph Martin Kraus, Noémi Kiss, Judit Nemeth, Istvan Kovacs, Pal Benko, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 166 BPM | |
 | Miserere in C Minor (Version for Mixed Choir): V. Quoniam si voluisses | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Minor | 1 | 7A | 77 BPM |
- ISRC
- DEE472400489
- Label
- L-M Records/RCA Records