"Meet Dad" by David Sardy had its release date on February 14, 2012. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Sardy's "Ghost Rider: Spirit of Vengeance (Original Motion Picture Score)" album is number 32 out of 41. On top of that, United States appears to be the country where this track was created. Meet Dad is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Meet Dad by David Sardy to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breeze | Phase Drift | B♭ Major | 6 | 6B | 82 BPM | ||
| Deportation | Ryan Amon | D♭ Major | 6 | 3B | 130 BPM | ||
| Angel of Verdun (Main Title) | Christophe Beck | G Major | 2 | 9B | 118 BPM | ||
| Two Against One | Alexandre Desplat | D♭ Major | 4 | 3B | 119 BPM | ||
| Evil Eyes | John Carpenter, Cody Carpenter, Daniel Davies | G Minor | 1 | 6A | 79 BPM | ||
| The Forgotten Engine | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | E Major | 8 | 12B | 120 BPM | ||
| The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM | ||
| Agent Zero Comes For Logan | Harry Gregson-Williams | B♭ Major | 6 | 6B | 147 BPM | ||
| Clues | Clinton Shorter | G Minor | 2 | 6A | 136 BPM | ||
| The Hunter | Sarah Schachner | F Minor | 6 | 4A | 106 BPM | ||
| No Courage Without Fear | Christophe Beck | C Minor | 4 | 5A | 85 BPM | ||
| Darkness and Decay | David Sardy | D♭ Major | 2 | 3B | 68 BPM | ||
| The Eternal Sun | Phase Drift | G Major | 8 | 9B | 109 BPM | ||
| San Venganza | Christopher Young | B♭ Minor | 3 | 3A | 120 BPM | ||
| Moreau Meets Blaze | David Sardy | B Major | 2 | 1B | 98 BPM | ||
| Into the Furnace | Sarah Schachner | D Minor | 5 | 7A | 100 BPM | ||
| Libertad | Pedro Bromfman | A Minor | 5 | 8A | 98 BPM | ||
| Train Station (Bite Your Tongue) | Geoff Zanelli | A Minor | 3 | 8A | 160 BPM | ||
| The Rise of Morbius | Jon Ekstrand | F Major | 5 | 7B | 75 BPM | ||
| The Devil & The Daughter - Bonus Track | Daniel Pemberton | G Major | 4 | 9B | 171 BPM | ||
| Inferno | Graeme Revell | D♭ Major | 4 | 3B | 120 BPM | ||
| Corridor | Tomandandy | B Minor | 9 | 10A | 130 BPM | ||
| Zepp Six | Charlie Clouser | F Minor | 7 | 4A | 137 BPM | ||
| The Equalizer | Harry Gregson-Williams | G Major | 4 | 9B | 139 BPM | ||
| Suchomimus | Leo Birenberg | D♭ Major | 5 | 3B | 81 BPM |