George's 'Man Overboard - Recorded with Deborah Conway' had a release date set for 2004. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 4 in the song's album "Still Real EP". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Australia. Based on our statistics, Man Overboard - Recorded with Deborah Conway's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Man Overboard - Recorded with Deborah Conway by George having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Already Gone | Powderfinger | E Major | 3 | 12B | 162 BPM | ||
| Lock It | Falling Joys | D Major | 7 | 10B | 160 BPM | ||
| Breathe in Now | Katie Noonan | D Major | 1 | 10B | 78 BPM | ||
| Fall | George | D Minor | 5 | 7A | 115 BPM | ||
| Heavensent | Killing Heidi | A Major | 9 | 11B | 127 BPM | ||
| Rough Diamonds | End Of Fashion | D Major | 6 | 10B | 148 BPM | ||
| Helping Hand | The Screaming Jets | A♭ Minor | 6 | 1A | 133 BPM | ||
| My Ex Girlfriend's Boyfriend | Machine Gun Fellatio | C Major | 3 | 8B | 117 BPM | ||
| Bridges Burned | Seeker Lover Keeper | D♭ Major | 4 | 3B | 96 BPM | ||
| Thump | Bertie Blackman | C Minor | 5 | 5A | 109 BPM | ||
| Walking on a Dream | Kate Miller-Heidke | A♭ Minor | 3 | 1A | 82 BPM | ||
| Keep The Light On (Live) | The Whitlams, Sydney Symphony Orchestra | D Major | 4 | 10B | 111 BPM | ||
| Ramona Was A Waitress | Paul Dempsey | E Major | 6 | 12B | 165 BPM | ||
| On This Side | Clare Bowditch, the Feeding Set | C Major | 7 | 8B | 88 BPM | ||
| All My Crushes | Magic Dirt | C Major | 8 | 8B | 171 BPM | ||
| Still Real | George | C Major | 5 | 8B | 83 BPM | ||
| Damage | You Am I | C Minor | 5 | 5A | 132 BPM | ||
| It’s Too Late | Evermore | A♭ Minor | 7 | 1A | 139 BPM | ||
| Pulse | Front End Loader | A♭ Major | 9 | 4B | 200 BPM | ||
| Bail Me Out | Pete Murray | A Major | 6 | 11B | 100 BPM | ||
| The Honeymoon Is Over | The Cruel Sea | D♭ Major | 8 | 3B | 94 BPM | ||
| Carry On | Motor Ace | A♭ Major | 8 | 4B | 170 BPM | ||
| One | George | D Minor | 5 | 7A | 128 BPM | ||
| Jc | Powderfinger | A Major | 5 | 11B | 110 BPM | ||
| Still Real | George | D Major | 6 | 10B | 120 BPM |