"Suite No. 1 for Cello and Guitar: I. Preludio" by Raffaele Bellafronte, Vito Paternoster, Marco Salcito had its release date on March 1, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 13 in Bellafronte: Ritratto di un compositore by Raffaele Bellafronte, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Suite No. 1 for Cello and Guitar: I. Preludio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 1 for Cello and Guitar: I. Preludio by Raffaele Bellafronte, Vito Paternoster, Marco Salcito is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata, Op. 61: III. Allegro Vivo | Joaquín Turina, Shiri Coneh | G Minor | 2 | 6A | 114 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Fabio Biondi, Luigi Di Llio | B♭ Major | 1 | 6B | 77 BPM | ||
| Popular Catalan Songs: VI. El Testament d'Amelia | Miguel Llobet Solés, Giulio Tampalini | E Major | 2 | 12B | 104 BPM | ||
| Moments Musicaux, D. 780: No. 3 in F Minor (Arr. for Mandolin & Harp by Alon Sariel) | Franz Schubert, Alon Sariel, Anne-Sophie Bertrand | F♯ Minor | 1 | 11A | 84 BPM | ||
| 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana | Manuel de Falla, David Desimpelaere, Erik Desimpelaere | B♭ Major | 2 | 6B | 85 BPM | ||
| Prelude & Laughing Rock: I. Prelude | Ross Edwards, Richard Narroway | G Major | 0 | 9B | 64 BPM | ||
| Cinq préludes, W 419: No. 4, Homenagem ao índio brasileiro | Heitor Villa-Lobos, Giulia Ballaré | E Minor | 1 | 9A | 89 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: IV. Vivo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | E Minor | 1 | 9A | 109 BPM | ||
| From Jewish Life, B. 55: III. Jewish Song | Ernest Bloch, Sol Gabetta | A♭ Major | 1 | 4B | 112 BPM | ||
| Sulle ottave | Maurizio Baudino | E Major | 1 | 12B | 70 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| Flute Concerto Pour Potsdam in D Major, QV 5:41(Reinvented for Solo Flute by Luca Astolfoni Fossi): III. Presto | Johann Joachim Quantz, Claudio Ferrarini | D Major | 2 | 10B | 108 BPM | ||
| Pavane, Op. 50 (Arr. For cello and guitar) | Gabriel Fauré, Claremont Duo | F♯ Minor | 0 | 11A | 82 BPM | ||
| Granados: 12 Danzas españolas: No. 2, Oriental (Arr. Barrueco & Müller-Pering for Two Guitars) | Manuel Barrueco, Thomas Müller-Pering | G Minor | 0 | 6A | 113 BPM | ||
| Brighten Up | Veridia | A♭ Minor | 6 | 1A | 137 BPM | ||
| Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| Trois Strophes sur le nom de Sacher: I. Un poco indeciso | Henri Dutilleux, Christian-Pierre La Marca | B♭ Major | 1 | 6B | 83 BPM | ||
| Thaïs: Méditation - Arranged for Flute and Piano by Anete Toča | Jules Massenet, Anete Toča, Mārtiņš Zilberts | D Major | 1 | 10B | 137 BPM | ||
| Graceful Ghost Rag | Valérie Milot, William Bolcom | E♭ Minor | 0 | 2A | 93 BPM | ||
| Keyboard Concerto in F Minor, BWV 1056, II. Largo: Harpsichord Concerto in F Minor, BWV 1056: II. Largo (Arioso) [arr. For cello and guitar] | Johann Sebastian Bach, Boris Andrianov, Dimitri Illarionov | G Major | 0 | 9B | 75 BPM | ||
| Liederbuch, Vol. 2 (Arr. for Double Bass and Piano by Lorraine Campet): No. 5, Wie glänzt so hell dein Auge | Josephine Lang, Lorraine Campet, Nathanaël Gouin | E Major | 0 | 12B | 69 BPM | ||
| Cafe 1930 | Astor Piazzolla, Irmgard Toepper, Hugo Germán Gaido | A Major | 0 | 11B | 119 BPM | ||
| Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 5, Der Lindenbaum | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | D Major | 1 | 10B | 71 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | ||
| アンダンテ (ピアノ・ソナタ K.381より) | Wolfgang Amadeus Mozart, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | G Major | 1 | 9B | 123 BPM |