The Robert Cray Band's ' "Across The Line" was released on its scheduled release date, January 1, 1988. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 10 in Don't Be Afraid Of The Dark by The Robert Cray Band. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Across The Line's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Across The Line by The Robert Cray Band is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| War We Wage | Matt Schofield | F♯ Minor | 4 | 11A | 100 BPM | ||
| T-Bone Shuffle | Albert Collins | B Major | 7 | 1B | 131 BPM | ||
| Dirty Blonde | Mike Zito | C Major | 8 | 8B | 152 BPM | ||
| Don't Stand | Andy Fairweather Low | D Major | 3 | 10B | 89 BPM | ||
| Tick Tock | The Vaughan Brothers | A Major | 4 | 11B | 89 BPM | ||
| Heartless | Michael Burks | G Major | 9 | 9B | 132 BPM | ||
| I Take What I Want | Carl Verheyen | C Major | 9 | 8B | 96 BPM | ||
| Found Love | Boz Scaggs | D Major | 4 | 10B | 100 BPM | ||
| The One In The Middle | The Robert Cray Band | C Major | 5 | 8B | 123 BPM | ||
| She Runs Hot | Little Village | A Major | 7 | 11B | 144 BPM | ||
| Little Juke Joint | Michael Burks | D Minor | 6 | 7A | 103 BPM | ||
| Long Time Till I Get Over You | Little Feat | C Major | 6 | 8B | 114 BPM | ||
| Blues Been Good to Me | James Armstrong | E Minor | 8 | 9A | 116 BPM | ||
| Life Of The Party | Debbie Davies | C Major | 6 | 8B | 127 BPM | ||
| Going Back To Louisiana | Clarence "Gatemouth" Brown | F Minor | 8 | 4A | 124 BPM | ||
| Woke Up And Smelled The Coffee | Tommy Castro, The Painkillers | E Major | 3 | 12B | 87 BPM | ||
| Up And Down | The Robert Cray Band | E Minor | 5 | 9A | 118 BPM | ||
| Lies | Tom Principato | D Major | 7 | 10B | 90 BPM | ||
| What I Wanna Hear | Matt Schofield | B♭ Minor | 8 | 3A | 139 BPM | ||
| I Still Want To Be Your Man | Jimmy Thackery And The Drivers | G Major | 7 | 9B | 100 BPM | ||
| Blues All Night | Jimmy Thackery, D. Rivers | F♯ Minor | 8 | 11A | 115 BPM | ||
| Destiny Blues | Eric Bibb | E Major | 4 | 12B | 89 BPM | ||
| She Loves Me Not | Selwyn Birchwood | A Major | 8 | 11B | 113 BPM | ||
| Play the Blues | Joan Armatrading | G Major | 8 | 9B | 120 BPM | ||
| Top Of The Hill | Robben Ford & The Blue Line | G Minor | 6 | 6A | 101 BPM |