Percy Mayfield's ' "Half Awake (Baby You'Re Still A Square) (1947)" was released on its scheduled release date, 2004. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Half Awake (Baby You'Re Still A Square) (1947)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 1947-1951, so we believe that "Half Awake (Baby You'Re Still A Square) (1947)" is a single. Based on our statistics, Half Awake (Baby You'Re Still A Square) (1947)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Half Awake (Baby You'Re Still A Square) (1947) by Percy Mayfield is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eisenhower Blues - Single Version | J.B. Lenoir | B♭ Minor | 4 | 3A | 98 BPM | ||
| Every Dog Got His Day | Eddie Bo | A♭ Major | 9 | 4B | 142 BPM | ||
| Maybelle's Blues | Big Maybelle | E♭ Major | 5 | 5B | 177 BPM | ||
| Cha Dooky-Doo | Art Neville | A Major | 7 | 11B | 100 BPM | ||
| Why? (Am I Treated So Bad) | The Staple Singers | B♭ Minor | 3 | 3A | 100 BPM | ||
| Soft | Tiny Bradshaw & His Orchestra | C Major | 7 | 8B | 83 BPM | ||
| Wild Man Blues | Johnny Dodds | F♯ Minor | 3 | 11A | 171 BPM | ||
| Old Maid Boogie | Eddie "Cleanhead" Vinson | F Minor | 4 | 4A | 155 BPM | ||
| Put On My Shoes | Mary Ann Fisher | F♯ Major | 3 | 2B | 133 BPM | ||
| Fishtail Blues | Wynonie Harris | E♭ Major | 4 | 5B | 146 BPM | ||
| Think | Jimmy McCracklin | C Major | 5 | 8B | 132 BPM | ||
| Beer Drinking Woman | Memphis Slim, Willie Dixon | G Major | 1 | 9B | 131 BPM | ||
| Stack-O-Lee | Champion Jack Dupree | A♭ Major | 3 | 4B | 108 BPM | ||
| I Ain't Got You | Jimmy Reed | A Major | 4 | 11B | 132 BPM | ||
| The Seventh Son | Willie Dixon | B♭ Major | 3 | 6B | 115 BPM | ||
| Kissing in the Dark | Memphis Minnie | F♯ Minor | 3 | 11A | 171 BPM | ||
| Hungry Man | Titus Turner | F Minor | 6 | 4A | 127 BPM | ||
| Shake That Thing | Wynonie Harris | E Major | 5 | 12B | 139 BPM | ||
| Good Luck Charm | C.W. Stoneking | G Major | 4 | 9B | 84 BPM | ||
| R.M. Blues - Alternate Take | Roy Milton | D Major | 3 | 10B | 100 BPM | ||
| Devil With The Blue Dress | Shorty Long | E♭ Major | 5 | 5B | 106 BPM | ||
| Hopeless (aka Nappin' The Nickles) | Percy Mayfield | B♭ Major | 2 | 6B | 70 BPM | ||
| Mary Lou | Young Jessie | F♯ Minor | 3 | 11A | 171 BPM | ||
| The Darktown Strutters' Ball | Alberta Hunter | D Major | 4 | 10B | 77 BPM | ||
| Who's Gonna Help Brother Get Further? | Lee Dorsey | A♭ Major | 6 | 4B | 140 BPM |