Scott Hardkiss, Britta Phillips, Dean Wareham's 'Come On, Come On (Dean & Britta Remix) (feat. Britta Phillips & Dean Wareham)' had a release date set for February 20, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 3 in Come On, Come On - Dean & Britta Remixes by Scott Hardkiss. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Come On, Come On (Dean & Britta Remix) (feat. Britta Phillips & Dean Wareham) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Come On, Come On (Dean & Britta Remix) (feat. Britta Phillips & Dean Wareham) by Scott Hardkiss, Britta Phillips, Dean Wareham is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little Things | Mike Simmons | A Major | 3 | 11B | 161 BPM | ||
| A Good Start | Maria Taylor | D♭ Minor | 7 | 12A | 112 BPM | ||
| Fallin' In Love | Britta Phillips | F♯ Major | 7 | 2B | 122 BPM | ||
| Numbered Days | Eels | A Major | 4 | 11B | 98 BPM | ||
| Something's Going To Come | Adem | F Major | 7 | 7B | 140 BPM | ||
| Say Goodbye (I Won’t Even) | Adaline | A Minor | 3 | 8A | 152 BPM | ||
| Charmed Life | Joy Williams | B Major | 6 | 1B | 124 BPM | ||
| Sister Song | Perfume Genius | E Major | 1 | 12B | 79 BPM | ||
| Bluebird of Happiness | Mojave 3 | D♭ Major | 2 | 3B | 72 BPM | ||
| Dancing in the Darkness | Darren Seltmann, Sally Seltmann | E♭ Minor | 2 | 2A | 113 BPM | ||
| Nothing Was Stolen (Love Me Foolishly) | Phosphorescent | B Major | 5 | 1B | 134 BPM | ||
| Reality | DYAN | F Major | 3 | 7B | 120 BPM | ||
| Sing Me to Sleep | Fran Healy, Neko Case | C Major | 7 | 8B | 144 BPM | ||
| Love is Colder Than Death | Dean Wareham | B♭ Minor | 7 | 3A | 118 BPM | ||
| Too Late | M83 | B Major | 2 | 1B | 190 BPM | ||
| For Me, It's You | Lo Moon | C Major | 5 | 8B | 82 BPM | ||
| Following | Chungking | F Major | 4 | 7B | 135 BPM | ||
| The Other Side of Mt. Heart Attack | Liars | B Major | 2 | 1B | 66 BPM | ||
| Fire Away | Lucy Schwartz | C Major | 4 | 8B | 129 BPM | ||
| Nothing's Ever Said | The Wilderness of Manitoba | B♭ Major | 4 | 6B | 84 BPM | ||
| The City Lights | Umbrellas | D Minor | 7 | 7A | 148 BPM | ||
| Daydream | Britta Phillips | A Major | 6 | 11B | 105 BPM | ||
| Hannas Theme Vocal Version | The Chemical Brothers, Stephanie Dosen | D Major | 6 | 10B | 100 BPM | ||
| Invisible Man | Ruu Campbell | A♭ Major | 3 | 4B | 159 BPM | ||
| Explosions | The Mary Onettes | G Major | 6 | 9B | 115 BPM |