Yesterdays Rising's 'Experience To Write' had a release date set for July 12, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Yesterdays Rising's "Lightworker" album is number 6 out of 12. Based on our statistics, Experience To Write's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Experience To Write by Yesterdays Rising to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Foreplay | Novemberkills | G Major | 8 | 9B | 142 BPM | ||
| Clouds of Gabardine Grey | Goodbye Soundscape | D Minor | 10 | 7A | 90 BPM | ||
| He Is Not A Bird | GunsLikeGirls | A Minor | 10 | 8A | 133 BPM | ||
| (We Cry Mercy) | Dear Whoever | C Major | 10 | 8B | 83 BPM | ||
| These Hands Your Eyes | The Valley | A Major | 9 | 11B | 94 BPM | ||
| The Things You Need the Most | death in december | D♭ Major | 10 | 3B | 101 BPM | ||
| See You in Virginia | Asteria | F Major | 9 | 7B | 175 BPM | ||
| Oh Baby, Pretty Like A Car Crash | Forever Is Forgotten | D♭ Major | 9 | 3B | 103 BPM | ||
| Take the Throne | An Evening At Elmwood | B♭ Major | 8 | 6B | 95 BPM | ||
| Caught In The Crossfire | Lostfoundbroken | D♭ Minor | 7 | 12A | 80 BPM | ||
| Succubus | We're Not Friends Anymore | D♭ Major | 10 | 3B | 175 BPM | ||
| Life Through Winter | Deep Enough To Die | B Minor | 8 | 10A | 178 BPM | ||
| My Concious Curiosity | Yesterdays Rising | B Minor | 7 | 10A | 150 BPM | ||
| Start With the Sails (Burn This Ship Right Back To Hell) | This Armistice | E♭ Minor | 9 | 2A | 78 BPM | ||
| Between the Devil and the Deep Blue Sea | Forever Wings Fold | D Major | 9 | 10B | 168 BPM | ||
| The Walls Between Us | Paddock Park | G Minor | 9 | 6A | 174 BPM | ||
| Murder She Wrote | Worthless Without | G Minor | 10 | 6A | 100 BPM | ||
| Sleeping Bags and Zipties | EmmaNJ | E Minor | 9 | 9A | 108 BPM | ||
| The Moore We See | GunsLikeGirls | D Minor | 10 | 7A | 207 BPM | ||
| This Is San Diego | death in december | A♭ Major | 9 | 4B | 178 BPM | ||
| Dead Eyes | Stutterfly | C Minor | 10 | 5A | 120 BPM | ||
| Smoke It To The Rope | Versus The Mirror | D Minor | 10 | 7A | 171 BPM | ||
| She's A Real Battleaxe | Vanna | F Minor | 10 | 4A | 154 BPM | ||
| Collisions With Frictions | The Subtle Way | E Minor | 9 | 9A | 95 BPM | ||
| Why Chris Carries a Knife | April's Love Affair | D Major | 8 | 10B | 96 BPM |