On April 10, 2025, the song "Bata Mere Yaar Sudama Re" was released by Vidhi Deshwal, Isha, Muskan, Rinku, Manisha, Sheetal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vidhi Deshwal's "Hits of Vidhi Deshwal" album is number 1 out of 7. On top of that, France appears to be the country where this track was created. Based on our statistics, Bata Mere Yaar Sudama Re's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bata Mere Yaar Sudama Re by Vidhi Deshwal, Isha, Muskan, Rinku, Manisha, Sheetal to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rama 'O' Rama | Kailash Kher | F Major | 8 | 7B | 120 BPM | ||
| Radha Naam ( Unplugged ) | Shri Hit Radha Kripa | E♭ Major | 3 | 5B | 80 BPM | ||
| Ram Ko Dekh Kar Shri Janak Nandini | Prakash Gandhi | F Major | 7 | 7B | 136 BPM | ||
| Krishna Bhajan 2 - Mashup | Dhruv Sharma, Swarna Shri | A Major | 8 | 11B | 174 BPM | ||
| Jin Par Kirpa Ram Kare Vo Paththar Bhi Tir Jate Hain | Ravindra Jain | F♯ Minor | 6 | 11A | 155 BPM | ||
| Shri Ram Chandra Kripalu | Jubin Nautiyal, Payal Dev, Manoj Muntashir | F Major | 6 | 7B | 94 BPM | ||
| Moh Maya | Ramdhan Goswami, Vidhi Deshwal | B Major | 8 | 1B | 131 BPM | ||
| Kya Layo Re Yaar Mere | Pawan Sharma, Sheetal | D Major | 9 | 10B | 104 BPM | ||
| Gyan Ki Jyoti Jaga Dena | Pamela Jain | E Major | 6 | 12B | 104 BPM | ||
| Door Na Hona Shambhu | Krishna Chaturvedi, Pankaj VRK | A♭ Minor | 7 | 1A | 82 BPM | ||
| Mahakal Sarkar Mere Mahakal Sarkar | Shree Darshan, Sunny Albela | A Major | 9 | 11B | 93 BPM | ||
| Kaali Kamli Wala Mera Yaar Hai (Remix) | Chitra Vichitra Ji Maharaj | B♭ Minor | 10 | 3A | 95 BPM | ||
| De De Thoda Pyaar | Lakhbir Singh Lakkha | F Minor | 4 | 4A | 103 BPM | ||
| Rail Chale Sai Bhole Ki | Rajesh Singhpuria | B♭ Major | 9 | 6B | 145 BPM | ||
| Chal Kholi Chalen Piya | Udal Baisla, Sheetal | A♭ Minor | 10 | 1A | 134 BPM | ||
| Bhai Bahan | Heera Ajmera, Isha, Gaurav Ajmera | F Minor | 9 | 4A | 85 BPM | ||
| Meri Jholi | Unix Bhakti, Nitin Bagwan | A♭ Major | 6 | 4B | 80 BPM | ||
| Roothe Mitr Manane Chale Hain | Ravindra Jain, Satish Dehra, Chandrani Mukherjee | A Minor | 3 | 8A | 92 BPM | ||
| Leela Majanu Ka Tamasa | Sunita Panchal, Chetna, Isha | F Minor | 6 | 4A | 120 BPM | ||
| Aeri Sakhi Mangal Gao Ri Radharaman Mere Ghar Avenge | Harinaam Das | D Major | 8 | 10B | 112 BPM | ||
| Pinjra | Vidhi Deshwal, Ramdhan Goswami | B♭ Minor | 8 | 3A | 140 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Shiv Hi Satya Hai Shiv Hi Sunder | Pamela Jain | F♯ Minor | 6 | 11A | 104 BPM | ||
| Main Hoon Sharan Mein Teri | Ram Kumar Lakkha | B Minor | 9 | 10A | 91 BPM | ||
| Nile Upar Chadke Baba Aana Padega | Sheetal | A Major | 10 | 11B | 125 BPM |