Dark Orange's 'Fairy Man' had a release date set for 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Oleander". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Based on our statistics, Fairy Man's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fairy Man by Dark Orange having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swing | Lowlife | D Minor | 6 | 7A | 147 BPM | ||
| She Said | Red Lorry Yellow Lorry | A Minor | 5 | 8A | 140 BPM | ||
| Come Away With Me | Powersiren | F Major | 8 | 7B | 130 BPM | ||
| Nothing's Real | Rose Chronicles | A Major | 6 | 11B | 113 BPM | ||
| Shattered Fairytale | Tearwave | F Major | 7 | 7B | 118 BPM | ||
| Visions | Saigon Blue Rain | B Minor | 6 | 10A | 120 BPM | ||
| Lovely Psycho | Rose Chronicles | D Major | 6 | 10B | 65 BPM | ||
| Blue | Resplandor | C Major | 4 | 8B | 136 BPM | ||
| Fate | For Against | F♯ Minor | 8 | 11A | 142 BPM | ||
| Clipped | Curve | D♭ Major | 10 | 3B | 110 BPM | ||
| In a Cave | Kitchens Of Distinction | A Major | 9 | 11B | 120 BPM | ||
| Ramafied | Lowlife | C Major | 4 | 8B | 158 BPM | ||
| Ever & Ever | Miranda Sex Garden | E Major | 5 | 12B | 109 BPM | ||
| Season of Mist | The Changelings | F♯ Minor | 6 | 11A | 117 BPM | ||
| From Side To Side - Version | Lowlife | E Minor | 6 | 9A | 108 BPM | ||
| With Louise | Area | F Major | 4 | 7B | 95 BPM | ||
| Head in a Cave | Swallow | D♭ Minor | 3 | 12A | 142 BPM | ||
| Seagulls of Heaven | Dark Orange | A Minor | 9 | 8A | 112 BPM | ||
| Lillies Dying | Curve | B♭ Minor | 10 | 3A | 100 BPM | ||
| Under the Milky Way (the Church Cover) | Tearwave | G Major | 7 | 9B | 135 BPM | ||
| Perhaps...Persephone | Faith & Disease | E Minor | 4 | 9A | 151 BPM | ||
| how it came to be this way | Autumn | G Major | 9 | 9B | 125 BPM | ||
| Second Sight (A) | The frozen Autumn | C Minor | 8 | 5A | 100 BPM | ||
| Intravenous | bel canto | E♭ Minor | 5 | 2A | 120 BPM | ||
| Loved by the Sun | The Daysleepers | F♯ Minor | 8 | 11A | 104 BPM |