"The Psychologically Ultimate Seashore" by Environments had its release date on January 1, 1969. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 4 in Environments 1 by Environments. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Psychologically Ultimate Seashore is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Psychologically Ultimate Seashore by Environments is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wednesday Morning Before You Leave Classroom | Eddy Natta | C Minor | 7 | 5A | 160 BPM | ||
| I Am Strong, I Am at Peace | OCA | A♭ Major | 1 | 4B | 172 BPM | ||
| Harmonisches Dauerrauschen | Meditative FX | N/A | N/A | N/A | 0 BPM | ||
| Rainforest Environment | Ken Davis | A♭ Major | 10 | 4B | 130 BPM | ||
| Blue Whales In Range | Dr. Roger Payne, The Blue Whale | E♭ Major | 0 | 5B | 86 BPM | ||
| Flius | 尾島由郎 | C Major | 0 | 8B | 71 BPM | ||
| Turquoise Parrot | Andrew Skeoch, Sarah Koschak | D♭ Major | 7 | 3B | 151 BPM | ||
| Finding Voice | Laurie Spiegel | E Major | 0 | 12B | 83 BPM | ||
| Little Deer Isle | Jefre Cantu-Ledesma | C Major | 6 | 8B | 105 BPM | ||
| Balance (Trembling) | Windy & Carl | D Major | 1 | 10B | 142 BPM | ||
| Sleep Sounds Open Window to a Distant Road | Linder Valley | D♭ Major | 0 | 3B | 0 BPM | ||
| Optimum Aviary | Environments | A♭ Minor | 3 | 1A | 70 BPM | ||
| Why Do I Still Sleep | Popol Vuh | D Minor | 0 | 7A | 69 BPM | ||
| (06.26.17) Waiting in Hangzhou | Celer | A♭ Major | 2 | 4B | 57 BPM | ||
| The Dance Of The Sea | Chihei Hatakeyama | D♭ Major | 5 | 3B | 86 BPM | ||
| Night Bunny (feat. Suzanne Ciani) | AF13, Greg Leisz, Suzanne Ciani | D Minor | 2 | 7A | 170 BPM | ||
| Sun Kiss | Departida | C Major | 1 | 8B | 67 BPM | ||
| 序章 華やぎ / Prologue, Into The Beauty | Akira Ito | E Minor | 2 | 9A | 126 BPM | ||
| remote | Tetsu Inoue | B♭ Major | 1 | 6B | 92 BPM | ||
| Night Currents | Michael Stearns | C Minor | 1 | 5A | 99 BPM | ||
| The Flâneur | Patricia Wolf | G Minor | 1 | 6A | 81 BPM | ||
| Cendet Gacor Full Isian | Master cendet 87 | C Major | 7 | 8B | 86 BPM | ||
| Sketch Two | Basil Kirchin | E Minor | 3 | 9A | 90 BPM | ||
| “In the Beginning…” | Michael Stearns | A Minor | 2 | 8A | 84 BPM | ||
| Cold Current | Dillon Ameigh | G Major | 5 | 9B | 112 BPM |