Kailash Kher, Paresh Kamath, Naresh Kamath, Rakesh Pandit, Pradeep Pandit's ' "Dilruba" was released on its scheduled release date, March 30, 2015. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Rediscovered Gems: Kailash Kher". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Dilruba is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dilruba by Kailash Kher, Paresh Kamath, Naresh Kamath, Rakesh Pandit, Pradeep Pandit having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahi Ve | Faakhir | F Minor | 4 | 4A | 84 BPM | ||
| Hamri Atariya Pe Aao (Dadra) | Begum Akhtar | D Minor | 6 | 7A | 74 BPM | ||
| Sajna Aa Bhi Ja | Shibani Kashyap | F Minor | 9 | 4A | 120 BPM | ||
| Nanhi Si Jaan | Kailash Kher, A. R. Ameen, Suzanne D'Mello | F Major | 5 | 7B | 110 BPM | ||
| Aaye Hain Samjhane Log | Papon, Pratibha Singh Baghel | E♭ Major | 6 | 5B | 140 BPM | ||
| Soniyo - From the Heart | Raju Singh, Krishna Beuraa | A Major | 5 | 11B | 120 BPM | ||
| Hale Dil | Harshit Saxena | B Minor | 9 | 10A | 80 BPM | ||
| Ye Meera Divanapan Hai | Susheela Raman | B Minor | 4 | 10A | 93 BPM | ||
| Kaash | Gulam Jugni | A♭ Minor | 7 | 1A | 82 BPM | ||
| Mujhe De De Har Gham Tera | Sidharth Basrur | A Minor | 6 | 8A | 144 BPM | ||
| Kaise Main Kahoon | Kailash Kher, Paresh Kamath, Naresh Kamath | F♯ Major | 8 | 2B | 120 BPM | ||
| Bandeh | Indian Ocean | C Minor | 4 | 5A | 135 BPM | ||
| Teri Yaadein | Parwan Khan, Irfan Chaudhry | A Minor | 6 | 8A | 80 BPM | ||
| Dost Banke | Gurnazar, Kartik Dev | F Minor | 7 | 4A | 108 BPM | ||
| Piya Samaye | Arshad Hussain, Shafqat Amanat Ali | G Major | 6 | 9B | 130 BPM | ||
| Ek Mulaqat | Altamash Faridi | C Minor | 6 | 5A | 90 BPM | ||
| Fatak | Sukhwinder Singh, Kailash Kher | G Major | 7 | 9B | 114 BPM | ||
| Dil Hi To Hai | Abida Parveen | C Major | 3 | 8B | 149 BPM | ||
| Maine Khud Ko | Mustafa Zahid | G Major | 5 | 9B | 103 BPM | ||
| Piya Tose - Qawwali Version | Vylom, Nizami Brothers | C Major | 4 | 8B | 110 BPM | ||
| Vaada Tumse Hain Vaada | Pandit Jasraj | E Minor | 8 | 9A | 95 BPM | ||
| Mann Mera - Original Version | Gajendra Verma | D Minor | 6 | 7A | 100 BPM | ||
| Aye Khuda | Salim Merchant | A♭ Major | 9 | 4B | 109 BPM | ||
| Tera Mera Pyar | Prem & Hardeep, Kumar Sanu | A♭ Minor | 6 | 1A | 89 BPM | ||
| Sawan Beeta Jaye | Nandini Srikar | D Minor | 6 | 7A | 125 BPM |