"Credo" by Jan Garbarek, Anonymous, The Hilliard Ensemble had its release date on September 1, 1994. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Credo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Officium". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Based on our statistics, Credo's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Credo by Jan Garbarek, Anonymous, The Hilliard Ensemble having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Erforsche mich, Gott, und erfahre mein Herz, BWV 136: VI. Chorale. Auf meinen lieben Gott | Johann Sebastian Bach, The Hilliard Ensemble, Christoph Poppen | A♭ Minor | 1 | 1A | 79 BPM | ||
| Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
| O Lux: Prosa - Flavit Auster (Codex De Las Huelgas, S. XIII) | Montserrat Figueras | C Major | 1 | 8B | 103 BPM | ||
| Between the Mills and the Moors | Tom Kinsella | B♭ Major | 1 | 6B | 168 BPM | ||
| Veni Sancte Spiritus et emitte/Veni Sancte Spiritus et infunde/Veni Creator Spiritus mentes tu - 1987 Remastered Version | John Dunstable, The Hilliard Ensemble, Paul Hillier | E Major | 1 | 12B | 77 BPM | ||
| Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | A Minor | 0 | 8A | 69 BPM | ||
| Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | ||
| Miserere: Tunc imponent | Gregorio Allegri, Chorus Sine Nomine, Michael Krenn, Johannes Hiemetsberger | C Minor | 0 | 5A | 138 BPM | ||
| Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Si la noche haze escura | Diego Pisador, Shirley Rumsey | G Minor | 0 | 6A | 89 BPM | ||
| Viderunt omnes No. 1: ...Salutare suum ante conspectum gentium revelavit... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 77 BPM | ||
| Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
| Lassus: Ave Regina caelorum | Orlande de Lassus, Peter Phillips, The Tallis Scholars | F♯ Major | 1 | 2B | 68 BPM | ||
| Messe vidi turbam magnam: No. 1, Introït. Stratuit ei dominum | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Major | 0 | 10B | 126 BPM | ||
| Lanquan li jorn | Jaufre Rudel, Dominique Vellard, Ensemble Gilles Binchois | D Major | 1 | 10B | 129 BPM | ||
| O du min Immanuel | Nils Økland, Sigbjørn Apeland | E Minor | 1 | 9A | 85 BPM | ||
| stateless | David Lang, The Crossing, Donald Nally | A Major | 1 | 11B | 114 BPM | ||
| Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
| Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM | ||
| Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
| Rís upp, drottni dýrð | Trio Mediæval, Arve Henriksen | C Major | 0 | 8B | 91 BPM | ||
| S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A Minor | 1 | 8A | 133 BPM | ||
| O Virgo splendens (canon a 2 i a 3) | Jordi Savall | G Minor | 3 | 6A | 79 BPM | ||
| Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
| Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM |