"Triplum: II. Tranquillo" by Louis Andriessen, Martin Van Hees had its release date on November 22, 2018. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Triplum: II. Tranquillo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Remgewogen". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Triplum: II. Tranquillo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Triplum: II. Tranquillo by Louis Andriessen, Martin Van Hees having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rondo Barbaro | Louis Andriessen, Ralph van Raat | E♭ Major | 0 | 5B | 93 BPM | ||
| Violin Concerto No.2 "The American Four Seasons" - Prologue | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | D Minor | 0 | 7A | 106 BPM | ||
| Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
| Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
| Missa Brevis - II. Sanctus | Cello Octet Amsterdam | C Major | 0 | 8B | 96 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| Long-Ge | Jack Body, Kronos Quartet | C Major | 0 | 8B | 122 BPM | ||
| Parade: Choral - Prélude du rideau rouge - Prestidigitateur chinois | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 80 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
| String Quartet No. 2, Op. 10: I. Mäßig | Arnold Schoenberg, Malin Hartelius, Gringolts Quartet | G Major | 1 | 9B | 80 BPM | ||
| After the Rain: III. Antiphon | Barry Guy, City of London Sinfonia, Richard Hickox | C Major | 0 | 8B | 65 BPM | ||
| Soleils de septembre | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 0 | 10B | 71 BPM | ||
| Poem for String Quartet | Rebecca Clarke, Barbican Quartet | C Minor | 1 | 5A | 136 BPM | ||
| Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM | ||
| Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
| Fratres | Arvo Pärt, Kronos Quartet | C Minor | 0 | 5A | 133 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| Lost Highway (2002/03): Scene 1.1 | Olga Neuwirth, Constance Hauman, Johannes Kalitzke, Klangforum Wien, Vincent Crowly | D Major | 1 | 10B | 80 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Somnoptera | Valgeir Sigurðsson, Liam Byrne, Ólafur Björn Ólafsson, James McVinnie | C Minor | 1 | 5A | 136 BPM | ||
| La Passione | Louis Andriessen, Boston Modern Orchestra Project, Cristina Zavalloni, Monica Germino, Gil Rose | G Major | 3 | 9B | 75 BPM | ||
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
| Asyla, Op. 17: III. Ecstasio | Thomas Adès, London Symphony Orchestra | G Major | 3 | 9B | 130 BPM |