Henk Badings's 'Sound Examples - Group 3 - from Kaïn En Abel' had a release date set for 2004. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Sound Examples - Group 3 - from Kaïn En Abel's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Popular Electronics: Early Dutch Electronic Music 1956-1963". In this album, this song's track order is #9. Sound Examples - Group 3 - from Kaïn En Abel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sound Examples - Group 3 - from Kaïn En Abel by Henk Badings having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chant du rossignol: Le chant du rossignol | Igor Stravinsky, Seattle Symphony Orchestra, Gerard Schwarz | D Minor | 1 | 7A | 135 BPM | ||
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
| Peter Grimes, Op. 33, Act II: Interlude III | Benjamin Britten, Edward Gardner, Bergen Philharmonic Orchestra | F Major | 0 | 7B | 58 BPM | ||
| Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | ||
| Evolutionen - 1: Overture | Henk Badings | D Minor | 10 | 7A | 117 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
| The Viola in My Life I | Morton Feldman, Antoine Tamestit, Gürzenich Orchester Köln, Harry Ogg | D♭ Major | 1 | 3B | 134 BPM | ||
| CUANDO EL AMOR SE ACABE | Maria Leonor Hernandez Duran | A Minor | 7 | 8A | 77 BPM | ||
| Evolutionen - 3: Ragtime | Henk Badings | F♯ Major | 6 | 2B | 98 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| 27 2- and 3- Pt. Choruses, BB 111, Vol. 7: No. 1, Banat (Regret) | Béla Bartók, Schola Hungarica, László Dobszay | C Minor | 0 | 5A | 80 BPM | ||
| Abstractions: I. Marble Moon (Inspired by Sara VanDerBeek's Marble Moon, 2015) | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Snowforms | Elektra Women's Choir | E♭ Major | 0 | 5B | 68 BPM | ||
| Missa a cappella: I. Kyrie | Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava | G Major | 1 | 9B | 97 BPM | ||
| Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
| Liturgical Chants: O Holy God | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 0 | 3B | 179 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| Jūra, MKČ 102: II. Exposition, Secondary Theme | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Lobgesang, Op. 76 | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | E Major | 0 | 12B | 77 BPM | ||
| Marimba & Vibraphone Concerto: III. Perpetuum Mobile - Live | Maya Badian, Ludmila Amelina, National Symphony Orchestra Tele-Radio Moldova | F Minor | 0 | 4A | 104 BPM | ||
| Frédéric Chopin: Prelude Op. 28 No. 19 in E Flat Major | Richard Settlement | C Major | 3 | 8B | 92 BPM | ||
| Bridge of Darling | Ernesto Vallini, Neon Lilith, Valhalla Orquestra, Jackie Vanguast | C Minor | 1 | 5A | 69 BPM | ||
| La Brosse | Martien van der Knijff | F♯ Major | 4 | 2B | 119 BPM |