"Ten Thousand More" by Patrick Doyle had its release date on February 8, 2019. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Ten Thousand More's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 17 in All Is True (Original Motion Picture Soundtrack) by Patrick Doyle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Ten Thousand More is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ten Thousand More by Patrick Doyle is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Orient Express | Patrick Doyle | A♭ Major | 4 | 4B | 82 BPM | ||
| Liliandil and Dark Island | David Arnold | G Minor | 1 | 6A | 70 BPM | ||
| The Promise of Things to Come | Jan A.P. Kaczmarek | C Major | 4 | 8B | 87 BPM | ||
| Pride and Prejudice (From "Pride and Prejudice") [BBC 1995 Adaptation] | Regency Players | B♭ Major | 2 | 6B | 126 BPM | ||
| The Final Arrow | Marc Streitenfeld | F Minor | 1 | 4A | 66 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Runaways (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E Major | 1 | 12B | 80 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Milk and Cookies | Christian Henson | G Minor | 0 | 6A | 152 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| Walking Through The Garden | Zbigniew Preisner | G Major | 1 | 9B | 70 BPM | ||
| Bella's Lullaby (From "Twilight") | Carter Burwell, See Siang Wong | D Major | 1 | 10B | 103 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| Simplest Of Gifts | Ari Posner, Amin Bhatia | G Major | 1 | 9B | 173 BPM | ||
| Saphira Returns | James Shearman | E Major | 1 | 12B | 147 BPM | ||
| Ship to Shore | David Arnold | D Minor | 0 | 7A | 128 BPM | ||
| Take It, It's Yours | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 92 BPM | ||
| French Court | Ruth Barrett, Jon Wygens | C Major | 2 | 8B | 98 BPM | ||
| For England | Daniel Pemberton | D Minor | 1 | 7A | 78 BPM | ||
| Opening Titles | David Arnold | C Minor | 1 | 5A | 99 BPM | ||
| Who Is She | Patrick Doyle | C Major | 1 | 8B | 81 BPM | ||
| Suite From Mulan | Jerry Goldsmith, Disney | C Major | 1 | 8B | 93 BPM | ||
| The Lady In Blue | Patrick Doyle | G Major | 2 | 9B | 168 BPM | ||
| Emma Suite | Isobel Waller-Bridge, David Schweitzer | C Major | 2 | 8B | 119 BPM | ||
| Leaping Penguins | George Fenton, BBC Concert Orchestra | D Major | 3 | 10B | 122 BPM |