Communion With The Beloved
Carol Hall
Deep Unto Deep
5:14 May 27, 2005
BPM
104
Key
G Major
Camelot
9B

Embed

Share Link

Communion With The Beloved by Carol Hall Song Details

"Communion With The Beloved" by Carol Hall had its release date on May 27, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 13 in Deep Unto Deep by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Communion With The Beloved is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of Communion With The Beloved by Carol Hall is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-18.787 dB
Acousticness
94%
Danceability
48%
Energy
2%
Instrumentalness
84%
Liveness
8%
Loudness
69%
Speechiness
5%
Valence
6%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Requeim in C Minor, ZWV. 48: Kyrie - II by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul DombrechtRequeim in C Minor, ZWV. 48: Kyrie - IIJan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul DombrechtD♭ Minor212A86 BPM
Dixit Dominus, HWV 232: Iudicabit in nationibus by George Frideric Handel, The Sixteen, Harry ChristophersDixit Dominus, HWV 232: Iudicabit in nationibusGeorge Frideric Handel, The Sixteen, Harry ChristophersE Major212B104 BPM
Miserere in C Minor Psalm 50, ZWV. 57 by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul DombrechtMiserere in C Minor Psalm 50, ZWV. 57Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul DombrechtE♭ Minor12A114 BPM
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme by Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline StamWachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die StimmeJohann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline StamA♭ Major14B172 BPM
Jephte - Plorate filii Israel (Chorus) by Giacomo Carissimi, New Trinity Baroque, The Oxford Chorale, dir. Predrag GostaJephte - Plorate filii Israel (Chorus)Giacomo Carissimi, New Trinity Baroque, The Oxford Chorale, dir. Predrag GostaE♭ Minor12A83 BPM
Vespro della Beata Vergine, SV 206: Psalmus Vespro della Beata Vergine, SV 206: Psalmus "Laetatus sum"Claudio Monteverdi, Raphael Pichon, Ensemble PygmalionG Minor36A91 BPM
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius by Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph RademannMagnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eiusCarl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph RademannE♭ Minor12A71 BPM
Missa Dolorosa: VI. Agnus Dei by Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicMissa Dolorosa: VI. Agnus DeiAntonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicE♭ Minor12A71 BPM
Gloria in D Major, RV 589: VII. Domine, fili unigenite by Antonio Vivaldi, Le Concert Spirituel, Herve NiquetGloria in D Major, RV 589: VII. Domine, fili unigeniteAntonio Vivaldi, Le Concert Spirituel, Herve NiquetA Major111B114 BPM
Everlasting Arms by Forerunner Music, Carol HallEverlasting ArmsForerunner Music, Carol HallE Major312B64 BPM
Mass in B Minor, BWV 232: Qui tollis peccata mundi (Chorus) by Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans BrüggenMass in B Minor, BWV 232: Qui tollis peccata mundi (Chorus)Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans BrüggenB♭ Minor23A100 BPM
Nun komm, der Heiden Heiland, BuxWV 211 by Dietrich Buxtehude, Bine Katrine BryndorfNun komm, der Heiden Heiland, BuxWV 211Dietrich Buxtehude, Bine Katrine BryndorfG Minor06A68 BPM
Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c by Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, OxfordThou Knowest, Lord, the Secrets of Our Hearts, Z. 58cHenry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, OxfordE♭ Major15B130 BPM
Gloria in D Major, RV 589: Gratias agimus tibi by Antonio Vivaldi, Oxford Schola Cantorum, Northern Chamber Orchestra, Nicholas WardGloria in D Major, RV 589: Gratias agimus tibiAntonio Vivaldi, Oxford Schola Cantorum, Northern Chamber Orchestra, Nicholas WardC Major08B96 BPM
Mass in C Minor, K. 427 Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2f. Gloria: QuoniamWolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerC Major28B73 BPM
Matthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz! by Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma KirkbyMatthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz!Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma KirkbyB♭ Minor03A135 BPM
Stabat Mater: V. Tui nati vulnerati by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicStabat Mater: V. Tui nati vulneratiAntonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicE♭ Minor12A71 BPM
Magnificat in D Major, BWV 243: Gloria Patri (Chorus, Soprano, Alto, Tenor, Bass) by Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingMagnificat in D Major, BWV 243: Gloria Patri (Chorus, Soprano, Alto, Tenor, Bass)Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingF Major17B112 BPM
Stabat Mater, P. 77: VII. Alto. Eia mater, fons amoris by Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher HogwoodStabat Mater, P. 77: VII. Alto. Eia mater, fons amorisGiovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher HogwoodE Minor09A125 BPM
Magnificat, Wq. 215: Magnificat, Wq. 215: 9. Chor. Sicut erat in principio by Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph RademannMagnificat, Wq. 215: Magnificat, Wq. 215: 9. Chor. Sicut erat in principioCarl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph RademannD♭ Major33B98 BPM
Magnificat, Wq. 215: Magnificat, Wq. 215: 2. Arie. Quia respexit humilitatem (S) by Carl Philipp Emanuel Bach, Elizabeth Watts, Akademie für Alte Musik Berlin, Hans-Christoph RademannMagnificat, Wq. 215: Magnificat, Wq. 215: 2. Arie. Quia respexit humilitatem (S)Carl Philipp Emanuel Bach, Elizabeth Watts, Akademie für Alte Musik Berlin, Hans-Christoph RademannB♭ Minor03A89 BPM
Dido and Aeneas / Act 3: Dido and Aeneas / Act 3: "With drooping wings"Henry Purcell, The English Concert, Trevor Pinnock, The English Concert ChoirF♯ Minor011A135 BPM
Magnificat, Wq. 215: Magnificat, Wq. 215: 5. Arie. Fecit potentiam in bracchio suo (B) by Carl Philipp Emanuel Bach, Markus Eiche, Akademie für Alte Musik Berlin, Hans-Christoph RademannMagnificat, Wq. 215: Magnificat, Wq. 215: 5. Arie. Fecit potentiam in bracchio suo (B)Carl Philipp Emanuel Bach, Markus Eiche, Akademie für Alte Musik Berlin, Hans-Christoph RademannA♭ Major24B166 BPM
Requeim in C Minor, ZWV. 48 by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul DombrechtRequeim in C Minor, ZWV. 48Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul DombrechtD♭ Minor112A147 BPM
Magnificat in D, BWV 243: Et exultavit (soprano 2) by Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient MusicMagnificat in D, BWV 243: Et exultavit (soprano 2)Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient MusicD♭ Major13B127 BPM
ISRC
USDHM0601999
Label
L-M Records/RCA Records