"Communion With The Beloved" by Carol Hall had its release date on May 27, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 13 in Deep Unto Deep by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Communion With The Beloved is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Communion With The Beloved by Carol Hall is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | ||
| Dixit Dominus, HWV 232: Iudicabit in nationibus | George Frideric Handel, The Sixteen, Harry Christophers | E Major | 2 | 12B | 104 BPM | ||
| Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | E♭ Minor | 1 | 2A | 114 BPM | ||
| Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme | Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam | A♭ Major | 1 | 4B | 172 BPM | ||
| Jephte - Plorate filii Israel (Chorus) | Giacomo Carissimi, New Trinity Baroque, The Oxford Chorale, dir. Predrag Gosta | E♭ Minor | 1 | 2A | 83 BPM | ||
| Vespro della Beata Vergine, SV 206: Psalmus "Laetatus sum" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Minor | 3 | 6A | 91 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
| Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Gloria in D Major, RV 589: VII. Domine, fili unigenite | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 114 BPM | ||
| Everlasting Arms | Forerunner Music, Carol Hall | E Major | 3 | 12B | 64 BPM | ||
| Mass in B Minor, BWV 232: Qui tollis peccata mundi (Chorus) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | B♭ Minor | 2 | 3A | 100 BPM | ||
| Nun komm, der Heiden Heiland, BuxWV 211 | Dietrich Buxtehude, Bine Katrine Bryndorf | G Minor | 0 | 6A | 68 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
| Gloria in D Major, RV 589: Gratias agimus tibi | Antonio Vivaldi, Oxford Schola Cantorum, Northern Chamber Orchestra, Nicholas Ward | C Major | 0 | 8B | 96 BPM | ||
| Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2f. Gloria: Quoniam | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
| Matthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz! | Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma Kirkby | B♭ Minor | 0 | 3A | 135 BPM | ||
| Stabat Mater: V. Tui nati vulnerati | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Magnificat in D Major, BWV 243: Gloria Patri (Chorus, Soprano, Alto, Tenor, Bass) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F Major | 1 | 7B | 112 BPM | ||
| Stabat Mater, P. 77: VII. Alto. Eia mater, fons amoris | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 9. Chor. Sicut erat in principio | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 98 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 2. Arie. Quia respexit humilitatem (S) | Carl Philipp Emanuel Bach, Elizabeth Watts, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B♭ Minor | 0 | 3A | 89 BPM | ||
| Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, The English Concert, Trevor Pinnock, The English Concert Choir | F♯ Minor | 0 | 11A | 135 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 5. Arie. Fecit potentiam in bracchio suo (B) | Carl Philipp Emanuel Bach, Markus Eiche, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | A♭ Major | 2 | 4B | 166 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | D♭ Minor | 1 | 12A | 147 BPM | ||
| Magnificat in D, BWV 243: Et exultavit (soprano 2) | Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music | D♭ Major | 1 | 3B | 127 BPM |