"Five Rackets for Trio Relay: I. Archery and Curling" by Cheryl Frances-Hoad, Lawson Trio had its release date on 2012. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Long Way Home". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Five Rackets for Trio Relay: I. Archery and Curling's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Five Rackets for Trio Relay: I. Archery and Curling by Cheryl Frances-Hoad, Lawson Trio having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Benjamin Britten: A Hymn to the Virgin | Benjamin Britten, Schola Cantorum, Tone Bianca Sparre Dahl | A Minor | 1 | 8A | 71 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM | ||
| Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Missa pro defunctis a 5 "Requiem": I. Introitus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| stateless | David Lang, The Crossing, Donald Nally | A Major | 1 | 11B | 114 BPM | ||
| Yhden asian kerrallaan | Aki Yli-Salomäki, Somnium Ensemble, Elisa Huovinen | A♭ Minor | 0 | 1A | 62 BPM | ||
| Dance Suite: II. Allemande | Cheryl Frances-Hoad, Ivana Gavrić | A♭ Minor | 1 | 1A | 119 BPM | ||
| Maidan 2014 / Cycle IV: II. Elegy | Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych | F Minor | 0 | 4A | 77 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | ||
| Requiem for the Living: III. Agnus dei | Dan Forrest, Anna Ogińska, Wiktoria Zawistowska, University of Bielsko-Biala Choir, University of Bielsko-Biała Chamber Orchestra, Jan Borowski | E♭ Major | 2 | 5B | 106 BPM | ||
| Add It | Oscap | C Major | 1 | 8B | 132 BPM | ||
| Regem, cui omnia vivunt – Venite, exsultemus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | F Major | 2 | 7B | 131 BPM | ||
| String Octet in C Major, Op. 7 (Version for String Orchestra): Même temps | George Enescu, Tabea Zimmermann, Ensemble Resonanz | B Major | 0 | 1B | 72 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Charpentier: Messe pour les trépassés, H. 2: V. Symphonie - Agnus Dei | Marc-Antoine Charpentier, Michel Corboz, Coro Gulbenkian, Fernando Serafim, John Elwes, Michel Brodard, Orquestra Gulbenkian | A Minor | 1 | 8A | 83 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 66 BPM | ||
| Missa Christi, Festival Mass: III. Sanctus and Benedictus | Kenneth Leighton, The Choir of The Queen's College Oxford, Owen Rees, Ben Gilchrist, Rudyard Cook | F Major | 2 | 7B | 131 BPM | ||
| Vespro della Beata Vergine, SV 206: Psalmus "Laudate Pueri" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 3 | 9B | 134 BPM | ||
| 2 Sacred Songs: No. 2, Ave Maria | Valentin Silvestrov, Agate Burkina, Rūdolfs Bērtiņš, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 69 BPM | ||
| As one who has slept | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | D Major | 0 | 10B | 76 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Gloucester Service: I. Magnificat | Herbert Howells, Choir of St. John's College, Cambridge, Andrew Nethsingha | D Minor | 0 | 7A | 135 BPM |