On March 17, 2014, the song "Nadiya Ke Teer E Maiya" was released by Gopal Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gopal Rai's "Lajayili Kali Mayi" album is number 6 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Nadiya Ke Teer E Maiya's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Nadiya Ke Teer E Maiya by Gopal Rai to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holi Ke Gana | Guddu Rangila | B♭ Major | 10 | 6B | 164 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Mandpiya Wala Seth Sanvra Nalo Toh Shri | Bablu Rajasthani | F Minor | 10 | 4A | 130 BPM | ||
| Main Aayo Goga Medi Pe | Ramavtar Sharma | A Minor | 5 | 8A | 123 BPM | ||
| Moriyare Bappa Moriyare | Kumar Swamy | E Major | 5 | 12B | 116 BPM | ||
| Jin Din Janamiya Hansa | Prakash Mali | E♭ Minor | 8 | 2A | 84 BPM | ||
| Moye Le Gaye Patari Me | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Aay Pokhar Me Uthlai Ujahi - Maithili | Dilip Darbhangiya | A♭ Major | 10 | 4B | 126 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Pind Var Nagoba | Amol Shirsath | A♭ Major | 10 | 4B | 162 BPM | ||
| Dhaniya Ho Sewa Kariha | Madan Rai | A♭ Major | 5 | 4B | 155 BPM | ||
| Man Se Banyihe Re Maliya | Gopal Rai | B♭ Minor | 9 | 3A | 134 BPM | ||
| Ved Jiva Lavito Pava | Suryakant Shinde | A♭ Minor | 9 | 1A | 153 BPM | ||
| Bhulavle Bhulavle Harila | Surykant Shinde | A Major | 7 | 11B | 125 BPM | ||
| Dharmatar | Milind Shinde | A♭ Major | 6 | 4B | 81 BPM | ||
| Pritichya Baget Tu | Yuvraj Pradhan | D♭ Major | 6 | 3B | 102 BPM | ||
| Aati Konya Maut | Satpal Dosa, Mainpal Baseda | G Major | 7 | 9B | 135 BPM | ||
| Jhamlo Jagayo Thara Nam Ko | Sukhdev Bharti | F Major | 9 | 7B | 90 BPM | ||
| Nevta Humke Aail Baate | Gopal Rai | F Minor | 6 | 4A | 81 BPM | ||
| Satguru Deve Sabd Isara | Kishan Parjapti | C Major | 7 | 8B | 75 BPM | ||
| Angana Me Pisele Haradiya | Chandan Tiwari | D Major | 2 | 10B | 100 BPM | ||
| Aaja Re Mohan | Moinuddin Manchala, Prakash Mali | B Minor | 6 | 10A | 148 BPM | ||
| Dulha Vama Kaniya | Poonam Mishra | A Major | 9 | 11B | 95 BPM | ||
| Chal Ho Shahna (Shaktiwale Gaulan) | Prakash Pajane, Madhukar Yadav | D♭ Minor | 9 | 12A | 84 BPM | ||
| Ek Bar Jo Raghuvar Ki Najaro Ka Ishara Ho Jaye | Pawan Tiwari | C Minor | 9 | 5A | 112 BPM |