N. S. Krishnan's ' "Sagatha Charithira Pugazh" was released on its scheduled release date, December 31, 1949. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Sagatha Charithira Pugazh's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Nalla Thambi". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. In terms of popularity, Sagatha Charithira Pugazh is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sagatha Charithira Pugazh by N. S. Krishnan having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vetriyai Naalai | Sirkazhi Govindarajan | E Major | 6 | 12B | 75 BPM | ||
| Nadariyum Noorumalai | Pithukuli Murugadas | E Major | 2 | 12B | 81 BPM | ||
| Aarumugam Irukka | Sirkazhi Govindarajan | C Minor | 4 | 5A | 96 BPM | ||
| Kaatrinile Varum Geetham | Seshampatti T. Sivalingam | F Minor | 8 | 4A | 116 BPM | ||
| Aathu Vellam | A. L. Raghavan, L. R. Eswari | G Major | 4 | 9B | 63 BPM | ||
| Thayae Muthumari | D V Ramani, Sakthi Shanmugaraja, Varasri | B Minor | 4 | 10A | 86 BPM | ||
| Yanaimugan Sodarane | A. R. Ramani Ammal | B♭ Minor | 5 | 3A | 66 BPM | ||
| Othippoh | Mano | F♯ Minor | 5 | 11A | 81 BPM | ||
| Aadi Adangum | Sirkazhi Govindarajan | D Major | 6 | 10B | 120 BPM | ||
| Ennadi Muniyamma | Shankar - Ganesh, T.K.S. Natarajan | F Major | 6 | 7B | 97 BPM | ||
| Vantha Naal Muthal | Jamuna Rani, L. R. Eswari, Soolamangalam Rajalakshmi, L. R. Anjali | A Minor | 8 | 8A | 179 BPM | ||
| Ezhumalai Irukka | K. B. Sundarambal, Dr. Ulundurpettai Shanmugam | B Minor | 6 | 10A | 97 BPM | ||
| Arunagiri | T.R. Pappa, Tamil Nambi, T. M. Soundararajan | E Major | 3 | 12B | 89 BPM | ||
| Pathukakkanum Pangu Pakkanum | N. S. Krishnan | F Minor | 6 | 4A | 130 BPM | ||
| Kozhi Oru Koottiley | M. S. Rajeswari | G Minor | 3 | 6A | 141 BPM | ||
| Chithirai Therodum | Soolamangalam Sisters | F Major | 5 | 7B | 140 BPM | ||
| Pandian Naanirukka | L. R. Eswari, S. C. Krishnan | F♯ Major | 7 | 2B | 68 BPM | ||
| Kodai Idi | MANALUR JAYAGOPAL | C Major | 7 | 8B | 81 BPM | ||
| Kudu Kuduththa Kizhavanukku | S. N. Surendar, Krishnachandran, Abavanan | G Major | 4 | 9B | 102 BPM | ||
| Madurai Veeran - Dialogues | M. G. Ramachandran, P. Bhanumathi, N. S. Krishnan | G Major | 3 | 9B | 69 BPM | ||
| Poonthendrale Nee | S.A. Rajkumar, P. Jayachandran, Sunanda | D Major | 4 | 10B | 94 BPM | ||
| Manamagale | L. R. Eswari, Soolamangalam Rajalakshmi | E Major | 7 | 12B | 153 BPM | ||
| Kaithala Niraikani - Thirupugazh | Bombay Sisters | F♯ Major | 6 | 2B | 160 BPM | ||
| Deenakarunakaranae | M. K. Thyagaraja Bhagavathar | E♭ Minor | 6 | 2A | 88 BPM | ||
| Azhagaana Ponnu Naan | P. Bhanumathi, A Maruthakasi | A♭ Major | 3 | 4B | 125 BPM |