"Concerto funebre: I. Introduction. Largo - Live" by Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra had its release date on August 22, 2025. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Renaud Capuçon in Verbier (Live)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Concerto funebre: I. Introduction. Largo - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto funebre: I. Introduction. Largo - Live by Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Cello Concerto, C. 65: II. Allegro appassionato | William Walton, Sinfonia Of London, John Wilson, Jonathan Aasgaard | E♭ Minor | 1 | 2A | 109 BPM | ||
| Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | E♭ Major | 0 | 5B | 139 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | E♭ Major | 0 | 5B | 139 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | E♭ Major | 0 | 5B | 139 BPM | ||
| Lyric Suite: II. Andante amoroso | Alban Berg, Leonkoro Quartet | E♭ Major | 0 | 5B | 139 BPM | ||
| Honegger : Symphony No.1 in C major : II Adagio | Arthur Honegger, Charles Dutoit, Bavarian Radio Symphony Orchestra | B Major | 0 | 1B | 78 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Clarinet & Saxophone Concerto: I. October Sky, Pt. 3 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | G Minor | 5 | 6A | 74 BPM | ||
| Sonata for Solo Violin in D Major, Op. 115: II. Theme & Variations | Sergei Prokofiev, Tianwa Yang | B♭ Major | 0 | 6B | 92 BPM | ||
| Brian: Symphony No. 7 in C Major: I. Allegro moderato | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 0 | 5B | 139 BPM | ||
| Lakes, Mists, Bats, Daggers and Fountains: IV. Always light and airy | Laurence Osborn, 12 Ensemble | E♭ Major | 0 | 5B | 139 BPM | ||
| Bois: No. 2, Chanson du Soleil | Jan Erik Mikalsen, Marion Walker, Eivind Gullberg Jensen, Kristiansand Symphony Orchestra | F Major | 1 | 7B | 62 BPM | ||
| Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepāja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: II. Scherzo. Allegro molto | Erich Wolfgang Korngold, Calidore String Quartet | E♭ Major | 0 | 5B | 139 BPM | ||
| Concerto funèbre: IV. Choral (Langsamer Marsch) | Karl Amadeus Hartmann, Rebekka Hartmann, Rachmaninoff International Orchestra, Kent Nagano | A Major | 1 | 11B | 90 BPM | ||
| Violin Sonata No. 1 in G Major, Op. 78: I. Vivace ma non troppo | Johannes Brahms, Andreas Röhn, Karl Bergemann | G Major | 1 | 9B | 70 BPM | ||
| Karl Amadeus Hartmann - Ruhige Viertel Tanzsuite | Karl Amadeus Hartmann, Simon Höfele | E♭ Major | 2 | 5B | 107 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | E♭ Major | 0 | 5B | 139 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| Simplicius Simplicissimus, Act II: "Mein lieber und wahrer, einziger Sohn" | Karl Amadeus Hartmann, Will Hartmann, Juliane Banse, Peter Marsch, Markus Stenz, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra | C Minor | 1 | 5A | 134 BPM | ||
| Cello Suite No. 3, Op. 87: VIII. Moto perpetuo. Presto | Benjamin Britten, Steven Isserlis | C Major | 0 | 8B | 106 BPM | ||
| 12 Nocturnes: No. 10, 304 Sterne in einem kleinen Fenster | Bent Sørensen, Katrine Gislinge | E♭ Major | 0 | 5B | 139 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Tríptico P(olícromo) | Renato Pedro Di Prinzio, Renato Di Prinzio | A♭ Major | 2 | 4B | 70 BPM |