Kenny Neal's ' "Morning After" was released on its scheduled release date, February 28, 1991. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Walking On Fire by Kenny Neal. The song's track number on the album is #5 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Morning After is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Morning After by Kenny Neal has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Morning After being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stop Me When I'm Lying | Toronzo Cannon | C Major | 8 | 8B | 125 BPM | ||
| The Way You Do | Tommy Castro, The Painkillers | A♭ Major | 9 | 4B | 90 BPM | ||
| Moonlight over the Mississippi | Royal Southern Brotherhood | D Major | 7 | 10B | 118 BPM | ||
| She's Gone | Doyle Bramhall | A Major | 9 | 11B | 115 BPM | ||
| Drinking By Myself | William Clarke | C Major | 3 | 8B | 160 BPM | ||
| Loan Me a Dime | Albert Castiglia | A Minor | 6 | 8A | 76 BPM | ||
| Something For Me | Quinn Sullivan | D Major | 8 | 10B | 156 BPM | ||
| Take Me Witcha | Ronnie Baker Brooks | A Major | 8 | 11B | 109 BPM | ||
| Nobody But You | Billy Branch, Billy Branch & The Sons of Blues | B♭ Major | 8 | 6B | 148 BPM | ||
| 20 Years of B.B. King | Curtis Salgado | F Major | 8 | 7B | 96 BPM | ||
| She Nuts Up | Rick Estrin & The Nightcats | F Minor | 7 | 4A | 111 BPM | ||
| The Solution | Nick Moss Band, Dennis Gruenling | D Minor | 7 | 7A | 100 BPM | ||
| Sweet Spot | Mark May | D Major | 8 | 10B | 109 BPM | ||
| Blues In My Blood | Guitar Shorty | D Major | 7 | 10B | 136 BPM | ||
| Blues Been Good to Me | James Armstrong | E Minor | 8 | 9A | 116 BPM | ||
| Play Somthin' i Can Dance II | The Ryan McGrath Band | D Major | 9 | 10B | 115 BPM | ||
| A Little Less Conversation | Guitar Shorty | B Minor | 8 | 10A | 99 BPM | ||
| No Sense | Nick Moss Band, Dennis Gruenling | E Major | 7 | 12B | 96 BPM | ||
| I Believe I Got Off Cheap | Chris Cain | D Major | 9 | 10B | 97 BPM | ||
| Definition of Insanity | Tommy Castro | G Major | 8 | 9B | 138 BPM | ||
| Great Minds Drink Alike | Altered Five Blues Band | C Major | 9 | 8B | 132 BPM | ||
| Sure Hope It Ain't A Train | Mark Selby | F Major | 6 | 7B | 112 BPM | ||
| Tale Spreaders | Larry Garner | C Minor | 6 | 5A | 87 BPM | ||
| I'm A Blues Man | Kenny Neal | F Major | 6 | 7B | 92 BPM | ||
| Could Get Dangerous | Devon Allman's Honeytribe | E Minor | 8 | 9A | 94 BPM |