"Beneath the Southern Cross - 1992 Remastered" by Robert Russell Bennett, Richard Rodgers had its release date on August 11, 1992. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Victory At Sea by Robert Russell Bennett. The song's track number on the album is #7 out of 13 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Beneath the Southern Cross - 1992 Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Beneath the Southern Cross - 1992 Remastered by Robert Russell Bennett, Richard Rodgers has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Beneath the Southern Cross - 1992 Remastered being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture | Anything Goes New Broadway Company Orchestra | A♭ Major | 4 | 4B | 111 BPM | ||
| ローズ | Amanda McBroom, 石田組 | C Major | 1 | 8B | 149 BPM | ||
| Once Upon a Time in the West | Katica Illényi | D Major | 2 | 10B | 113 BPM | ||
| Is He The One | John Barry | C Major | 1 | 8B | 105 BPM | ||
| City Lights: The Flower Girl (La Violetera) [after J. Padilla] | The City Lights Orchestra, Carl Davis | D Major | 1 | 10B | 117 BPM | ||
| Grainger: Country Gardens (Orch. Artok) | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | D♭ Major | 0 | 3B | 81 BPM | ||
| I Dreamed a Dream / Lovely Ladies / Who Am I? | Bournemouth Symphony Orchestra, Seann Alderking | B♭ Major | 1 | 6B | 143 BPM | ||
| Hymne à l'amour | Franck Pourcel | A♭ Major | 4 | 4B | 138 BPM | ||
| Theme From "Elvira Madigan" - From "Elvira Madigan" | Frank Chacksfield & His Orchestra | F Major | 1 | 7B | 179 BPM | ||
| Main Title - Born Free | John Barry | F Major | 1 | 7B | 81 BPM | ||
| Let Me Call You Sweetheart | Memphis Jazz Orchestra | A Major | 2 | 11B | 172 BPM | ||
| Laughter Echoes | Halariaa | G Minor | 6 | 6A | 106 BPM | ||
| Cinderella Waltz | Richard Rodgers, André Rieu, The Platin Tenors, Johann Strauss Orchestra, Carla Maffioletti, Carmen Monarcha, Suzan Erens, Brian Dickerson, Mirusia | G Major | 4 | 9B | 94 BPM | ||
| ララのテーマ / Lara's Theme (映画「ドクトル・ジバゴ」より) | Orlando Pops Orchestra | F Minor | 6 | 4A | 168 BPM | ||
| Falling In Love With Love | Rebecca Luker, Richard Rodgers, Lorenz Hart | D♭ Major | 3 | 3B | 180 BPM | ||
| All I Ask of You | Andrew Lloyd Webber, André Rieu, Tanja Derwahl | D Major | 4 | 10B | 78 BPM | ||
| Die Fledermaus: Waltz | Johann Strauss II, Ronnie Munro Scottish Variety Orchestra, Ronnie Munro, David Java Orchestra, Harold Collins Orchestra, Harry Davidson Orchestra, Harry Fryer Orchestra, London Coliseum Orchestra, Phil Green Theatreland Orchestra, Reginald Pursglove Orchestra, Richard Crean Orchestra, Ronnie Munro Waltz Orchestra, Studio Orchestra, Symphony Orchestra, Wynford Reynolds Orchestra | F Major | 2 | 7B | 182 BPM | ||
| La Traviata: Brindisi (Libiamo ne' lieti calici) | Giuseppe Verdi, Marina Prior, Mark Vincent | B♭ Major | 4 | 6B | 212 BPM | ||
| Barcarole | André Rieu | D Major | 3 | 10B | 112 BPM | ||
| Someday My Heart Will Awake (From "King's Rhapsody") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | E♭ Major | 0 | 5B | 67 BPM | ||
| Mame: Mame | Jerry Herman, Charles Braswell, Mame Ensemble, Mame (Original Broadway Cast), Original Broadway Cast of Mame, Donald Pippin | F Minor | 6 | 4A | 127 BPM | ||
| If I Had Words | Melbourne Symphony Orchestra, Nigel Westlake | G Major | 3 | 9B | 105 BPM | ||
| Falling In Love With Love - from "The Boys From Syracuse" | Lorenz Hart, Richard Rodgers, Pro Musica Symphony Orchestra, Robert Ashley | G Major | 3 | 9B | 174 BPM | ||
| Love Theme - From "Cinema Paradiso" | Jeff Steinberg | B♭ Major | 1 | 6B | 128 BPM | ||
| Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM |