"Tosca, Act 2: "Vissi d'arte"" by Birgit Nilsson had its release date on January 22, 1952. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 39 in the song's album "The New Moon". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Tosca, Act 2: "Vissi d'arte" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca, Act 2: "Vissi d'arte" by Birgit Nilsson having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Götterdämmerung, WWV 86D / Act 3: Schweigt eures Jammers jauchzenden Schwall | Richard Wagner, Birgit Nilsson, Claire Watson, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 82 BPM | ||
| Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
| La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo) | Giacomo Puccini, Nicolai Gedda, Thomas Schippers, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 1 | 10B | 181 BPM | ||
| La Vestale (1997 Digital Remaster): O nome tutelar | Gaspare Spontini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Major | 1 | 10B | 93 BPM | ||
| Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
| La Sonnambula / Act 1: Sopra il sen la man mi posa | Vincenzo Bellini, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 75 BPM | ||
| Dvorák: Rusalka, B. 203, Op. 114, Act 1: 'Song to the Moon' (Rusalka) | Antonín Dvořák, Eva Urbanová, Ondrej Lenárd, Prague Symphony Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
| Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis | E♭ Major | 0 | 5B | 103 BPM | ||
| Elektra, Op.58, TrV 223: "Ich habe keine guten Nächte." | Richard Strauss, Regina Resnik, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 88 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
| West Side Story: XIIId. Somewhere | Leonard Bernstein, Marilyn Horne, Leonard Bernstein Orchestra | E♭ Major | 1 | 5B | 82 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Joyce DiDonato, Kazushi Ono, Orchestre De L'Opéra National De Lyon | E Major | 2 | 12B | 91 BPM | ||
| Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
| Rinaldo, HWV 7, Act II, Scene 4: Aria, Lascia ch'io pianga | George Frideric Handel, Yvonne Kenny, Paul Dyer, Australian Brandenburg Orchestra | E Major | 1 | 12B | 111 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Monte-Carlo Philharmonic Orchestra, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
| Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, Montserrat Caballé, London Philharmonic Orchestra, Ambrosian Opera Chorus, Ruggero Raimondi | F Major | 1 | 7B | 82 BPM | ||
| Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
| Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
| Catalani: La Wally, Act 1: Aria. "Ebben? Ne andrò lontana" (La Wally) | Alfredo Catalani, Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France | E Major | 2 | 12B | 86 BPM | ||
| Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
| Norma / Act I: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | ||
| Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
| Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
| Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Ramón Vargas | G Minor | 1 | 6A | 184 BPM |