On March 25, 2000, the song "Mauga Marad" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tara Rani's "Khajhadha Ha" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Mauga Marad's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mauga Marad by Tara Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kehri Galti Hoi Ae Zalim | Mansoor Ali Malangi | D Major | 9 | 10B | 108 BPM | ||
| Ahamor Udiyan Tara | UMAKANT BARIK | G Major | 7 | 9B | 158 BPM | ||
| Thai To Sacha Ho Tap Dhari | Moinuddin Manchala | F♯ Major | 9 | 2B | 96 BPM | ||
| Ramba Ho | UMAKANT BARIK | B Minor | 9 | 10A | 142 BPM | ||
| Kali Ke Madai Ma | Mamta Chandrakar | E Major | 6 | 12B | 94 BPM | ||
| Salomiya | Deva | E Major | 7 | 12B | 168 BPM | ||
| Chhad De Gali Chon | Mohammad Sadik, Ranjit Kaur | F♯ Major | 5 | 2B | 179 BPM | ||
| Khelatana Rang Bai Holicha | Sulochana Chavan | A Major | 8 | 11B | 111 BPM | ||
| Chokher Jole Ami, Pt. 2 | Andrew Kishore | F♯ Minor | 8 | 11A | 115 BPM | ||
| Sun Charkhe De Mitthi (Medley) | Saleem | F Major | 9 | 7B | 82 BPM | ||
| Jija Menea Ladea Bali | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | D Major | 5 | 10B | 142 BPM | ||
| Pankhida Ho Pankhida | Hemant Chauhan | F Major | 5 | 7B | 50 BPM | ||
| Jaikara Maai Da | Narendra Chanchal | B Major | 6 | 1B | 101 BPM | ||
| Bedardi Se Pyar Ka Sahara | Attaullah Khan | E♭ Major | 6 | 5B | 111 BPM | ||
| Satguru Pyar Di Gallan, Dera Sacha Sauda | Rehmat Records | F♯ Major | 7 | 2B | 103 BPM | ||
| Qasim Da Sehra | Tahseen Sakina | C Major | 7 | 8B | 123 BPM | ||
| Majha Bhimrao | Anand Shinde | F♯ Major | 5 | 2B | 99 BPM | ||
| Patli Kamar Ke Salam Karuche | Santanu Sahu | B♭ Minor | 9 | 3A | 133 BPM | ||
| Suna Hai Ki Vo Muskurane Lage Hain | Dimple Bhumi | G Major | 8 | 9B | 130 BPM | ||
| Parwal Beche Jae | Devi | B Major | 7 | 1B | 180 BPM | ||
| Maiya Ke Mahima Aparampaar | Bharat Sharma Vyas | A♭ Minor | 7 | 1A | 118 BPM | ||
| Maiya Mori Dulri | Bharat Sharma Vyas | E♭ Major | 7 | 5B | 109 BPM | ||
| Naino Mein Shyam Samaaye Gayo | Baba Rasika Pagal | A♭ Minor | 8 | 1A | 86 BPM | ||
| Pinjara Banaya Chandi Ka | Kirti Kumar | A Major | 1 | 11B | 81 BPM | ||
| 80 Na 85 Hamra 90 Chaahi | Guddu Rangila | C Minor | 6 | 5A | 148 BPM |