"Half Forgotten" by Winterlight had its release date on July 30, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Winterlight's "Gestural Abstractions" album is number 6 out of 8. On top of that, United States appears to be the country where this track was created. The popularity of Half Forgotten is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Half Forgotten by Winterlight to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Crossing | David Helpling, Jon Jenkins | F Minor | 5 | 4A | 152 BPM | ||
| Open Your Eyes | Melorman | C Major | 6 | 8B | 160 BPM | ||
| And All Is As It Should Be | Adam Fielding | E Minor | 1 | 9A | 120 BPM | ||
| Here Today Gone Tomorrow - 2019 remaster | Ulrich Schnauss | F Minor | 7 | 4A | 140 BPM | ||
| Some Days Are Better Than Others | Matthew Robert Cooper | D Major | 4 | 10B | 172 BPM | ||
| Drift Static | The Echelon Effect | G Major | 5 | 9B | 73 BPM | ||
| dual locality | Mode | B Major | 5 | 1B | 92 BPM | ||
| Neural Tranquility | Firecat Dream | A♭ Minor | 4 | 1A | 184 BPM | ||
| Ocean Breaths | Sundra Lia | D Minor | 2 | 7A | 138 BPM | ||
| Pearl Lakes | U137 | D Major | 6 | 10B | 116 BPM | ||
| An Obedient Ear | Olan Mill | G Major | 1 | 9B | 130 BPM | ||
| Nothing It Can | Helios | D♭ Major | 2 | 3B | 110 BPM | ||
| The Great Flood | Stumbleine | A♭ Major | 7 | 4B | 130 BPM | ||
| Unusual Thursday | Darshan Ambient | C Major | 1 | 8B | 130 BPM | ||
| Time - Ambient | The American Dollar | C Minor | 2 | 5A | 75 BPM | ||
| Stranger Moon | Jimmy Samson | G Major | 2 | 9B | 130 BPM | ||
| Slow Billows | Billow Observatory | D♭ Major | 3 | 3B | 115 BPM | ||
| The First Surface | Near The Parenthesis | C Major | 5 | 8B | 108 BPM | ||
| Pale Lights (This Will Destroy You Remix) | This Patch of Sky, This Will Destroy You | E♭ Major | 2 | 5B | 77 BPM | ||
| Grunwald (feat. Stereospread) | Keats' Handwriting, Stereospread | C Major | 4 | 8B | 160 BPM | ||
| Make a Wish | The Best Pessimist | D♭ Minor | 5 | 12A | 130 BPM | ||
| Drifted in Static Light | Dj Fruuta | C Major | 4 | 8B | 122 BPM | ||
| Within Dreams | The Album Leaf | D Major | 5 | 10B | 110 BPM | ||
| The soul never lie | Liquid colorx | G Major | 8 | 9B | 160 BPM | ||
| Of All Things | Winterlight | D♭ Major | 3 | 3B | 95 BPM |