Christopher Paul Stelling's 'Dear Beast' had a release date set for June 16, 2015. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Christopher Paul Stelling's "Labor Against Waste" album is number 7 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of Dear Beast is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dear Beast by Christopher Paul Stelling to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fenceline | Anna Tivel | E Major | 2 | 12B | 77 BPM | ||
| Put It to Use | William Elliott Whitmore | F Major | 7 | 7B | 128 BPM | ||
| Jesus Shot Me in the Head | Hiss Golden Messenger | F♯ Major | 3 | 2B | 127 BPM | ||
| All The Money I Had Is Gone | The Deep Dark Woods | A Minor | 5 | 8A | 157 BPM | ||
| Pieces of You | Ben Sollee | F♯ Minor | 2 | 11A | 103 BPM | ||
| Like a Dream | The Dead Tongues | C Major | 4 | 8B | 108 BPM | ||
| Wandering Boy | Willy Tea Taylor | C Major | 2 | 8B | 80 BPM | ||
| Wildfire | Christopher Paul Stelling | C Major | 1 | 8B | 92 BPM | ||
| Thousand | Horse Feathers | C Major | 3 | 8B | 107 BPM | ||
| Trempealeau | Peter Mulvey | B Major | 4 | 1B | 92 BPM | ||
| Never Coming Here Again | Gill Landry | B Minor | 5 | 10A | 105 BPM | ||
| What We Become | Horse Feathers | C Major | 1 | 8B | 88 BPM | ||
| Moonlight of Your Room | Joe Pug | D Major | 2 | 10B | 105 BPM | ||
| The Wild Mercury | Vandaveer | G Major | 5 | 9B | 140 BPM | ||
| Cracked Windshield | Hiss Golden Messenger | F♯ Major | 3 | 2B | 127 BPM | ||
| Picture In A Frame | Taylor Ashton, Courtney Hartman | E Major | 2 | 12B | 112 BPM | ||
| Best to Leave | Horse Feathers | B Minor | 3 | 10A | 135 BPM | ||
| How I Love You | Robert Ellis | E Major | 7 | 12B | 129 BPM | ||
| Part of Life | Josh Oliver | D Major | 3 | 10B | 89 BPM | ||
| Swannanoa | OurVinyl Sessions | Water Liars, OurVinyl | G Major | 3 | 9B | 141 BPM | ||
| Learn Again | Tall Heights | F Major | 2 | 7B | 85 BPM | ||
| Don't Make Me Wait | Doug Paisley | E♭ Major | 2 | 5B | 121 BPM | ||
| Die to Know | Christopher Paul Stelling | F♯ Major | 3 | 2B | 92 BPM | ||
| Second Fiddle | Jeff Narlock | G Major | 5 | 9B | 140 BPM | ||
| Joe | Max Gomez | B♭ Major | 6 | 6B | 90 BPM |