"You're Pulling My Face Off" by Clark had its release date on October 9, 2020. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 20 in Daniel Isn’t Real (Expanded Edition) by Clark. Based on our statistics, You're Pulling My Face Off's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of You're Pulling My Face Off by Clark is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ITSAME [group hugg] | Brainwaltzera | D♭ Major | 8 | 3B | 135 BPM | ||
| Hasty Boom Alert | µ-Ziq | A Major | 9 | 11B | 94 BPM | ||
| Eyen | Plaid, Mason Bee | A Major | 7 | 11B | 121 BPM | ||
| Clipper | Autechre | A♭ Major | 9 | 4B | 160 BPM | ||
| Ecce! Ego! | Leon Vynehall | D♭ Major | 6 | 3B | 82 BPM | ||
| Brace Yourself Jason | µ-Ziq | G Major | 7 | 9B | 146 BPM | ||
| Iambic 5 Poetry | Squarepusher | E Major | 5 | 12B | 76 BPM | ||
| Chrome Country | Oneohtrix Point Never | E♭ Major | 3 | 5B | 75 BPM | ||
| Hubble | Actress, London Contemporary Orchestra | D♭ Minor | 6 | 12A | 117 BPM | ||
| Hope We Never Surface | Two Lone Swordsmen | D♭ Major | 3 | 3B | 164 BPM | ||
| Silverside | Autechre | A Major | 7 | 11B | 100 BPM | ||
| Time Away | Andy Stott | A Minor | 1 | 8A | 71 BPM | ||
| Wave After Wave | Carrier | D♭ Major | 1 | 3B | 130 BPM | ||
| The Suffering Outside | Adam Protz | D Major | 6 | 10B | 120 BPM | ||
| San Peder a Sent | Bochum Welt | G Minor | 1 | 6A | 62 BPM | ||
| In My Gut | The Toxic Avenger, Gildaa, Martin Stig Andersen | G Minor | 1 | 6A | 123 BPM | ||
| Paradise Engineering | Barker | F Major | 10 | 7B | 140 BPM | ||
| Nacht und Tag | Kangding Ray | D♭ Major | 5 | 3B | 120 BPM | ||
| Wordplay For All Ages | Thelma | B♭ Major | 6 | 6B | 129 BPM | ||
| Ontology | Kayla Painter | B♭ Major | 6 | 6B | 129 BPM | ||
| Casimir | Rob Clouth | D Major | 6 | 10B | 130 BPM | ||
| Safe Passage | Clark | B Minor | 3 | 10A | 184 BPM | ||
| Intakes - Pye Corner Audio Rework | Craven Faults, Pye Corner Audio | A♭ Major | 4 | 4B | 105 BPM | ||
| The Trembling of Glass | Rachika Nayar | D Major | 3 | 10B | 69 BPM | ||
| Signal Post | Craven Faults | F Major | 2 | 7B | 105 BPM |