Strauss, R: Also sprach Zarathustra, Op. 30: II. Of Joys and Passions - The Song of the Grave by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden Song Details

"Strauss, R: Also sprach Zarathustra, Op. 30: II. Of Joys and Passions - The Song of the Grave" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden had its release date on 2013. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 103 in the song's album "Strauss, Richard: Complete Orchestral Works". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Also sprach Zarathustra, Op. 30: II. Of Joys and Passions - The Song of the Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Strauss, R: Also sprach Zarathustra, Op. 30: II. Of Joys and Passions - The Song of the Grave by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -14.806 dB
Acousticness: 90%
Danceability: 8%
Energy: 37%
Instrumentalness: 84%
Liveness: 21%
Loudness: 75%
Speechiness: 4%
Valence: 5%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Cello Concerto No. 1 in A Minor, Op. 33: Tempo primo (H)	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	A Minor	1	8A	90 BPM
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble)	Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists	D♭ Major	0	3B	85 BPM
Scheherazade: Calm at Sea	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	2	12B	84 BPM
Don Quixote, Op. 35, TrV 184: Theme	Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock	G Major	0	9B	129 BPM
Lohengrin, WWV. 75: Prelude to Act I	Richard Wagner, Philadelphia Orchestra, Christian Thielemann	B Major	1	1B	72 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)	Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov	C Major	1	8B	104 BPM
Nocturnes, CD 98: I. Nuages	Claude Debussy, The Cleveland Orchestra, Pierre Boulez	C Major	0	8B	90 BPM
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande	George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields	D Minor	0	7A	116 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	A♭ Major	1	4B	48 BPM
Suite in A Major "American Suite", Op. 98b, B. 190: IV. Andante	Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan	C Major	0	8B	63 BPM
Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo - Allegro molto	Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein	F Minor	1	4A	103 BPM
Roland Furieux: II. Andante tranquillo	Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz	E♭ Major	1	5B	88 BPM
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	E Minor	1	9A	96 BPM
String Quartet No. 2 in D Major: II. Scherzo: Allegro	Alexander Borodin, Budapest Haydn Quartet	F Major	1	7B	107 BPM
Le carnaval romain, Overture, H. 95	Hector Berlioz, Berliner Philharmoniker, Claudio Abbado	A Major	2	11B	83 BPM
Danse macabre, Op. 40	Camille Saint-Saëns, Royal Concertgebouw Orchestra, Charles Münch	D Major	2	10B	81 BPM
4 Lieder, Op. 82, B. 157: I. Lasst mich allein. Andante (Arr. Soltani For Solo Cello and Cello Ensemble)	Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists, Otto Tolonen	B Major	0	1B	140 BPM
Jeux d'enfants, Op. 22: No. 3, La poupée	Georges Bizet, Katia Labèque, Marielle Labèque	B Major	0	1B	64 BPM
Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba	Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik	D♭ Major	3	3B	132 BPM
Schluss	Fanny Mendelssohn, Heather Schmidt	E Major	1	12B	87 BPM
L'Arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	10	4B	136 BPM
Overture "A Midsummer Night's Dream", Op. 21	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	E Major	1	12B	139 BPM