"Murder (In Four Parts)" by Thomas Newman had its release date on August 12, 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 27 in the song's album "Road To Perdition (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Murder (In Four Parts) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Murder (In Four Parts) by Thomas Newman having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Welcome To Victorville | Trent Reznor and Atticus Ross | B♭ Minor | 2 | 3A | 64 BPM | ||
| Swoon, I'll Catch You | Academy of St. Martin in the Fields, Gabriel Yared | C Minor | 2 | 5A | 82 BPM | ||
| Louis Simo, P.I. | Marcelo Zarvos | C Minor | 1 | 5A | 97 BPM | ||
| Wheat Field | Jed Kurzel | B♭ Major | 1 | 6B | 112 BPM | ||
| Verdict | Nico Muhly | A♭ Major | 1 | 4B | 70 BPM | ||
| Guilty | Paul Cantelon | C Minor | 1 | 5A | 91 BPM | ||
| Two Run-Throughs | Thomas Newman | D♭ Major | 0 | 3B | 72 BPM | ||
| The Trap | Nathan Barr | B Minor | 3 | 10A | 150 BPM | ||
| Baby Davy | Christopher Willis | C Major | 2 | 8B | 90 BPM | ||
| Meeting With The King | Joseph Vitarelli | D Minor | 2 | 7A | 100 BPM | ||
| Frank Gehry | Mark Isham | F Major | 0 | 7B | 66 BPM | ||
| Grief Demands An Answer | Jeff Beal | A♭ Major | 1 | 4B | 81 BPM | ||
| Access Denied | David Arnold | F Major | 2 | 7B | 80 BPM | ||
| Oracle Cookies | Don Davis | B Major | 1 | 1B | 67 BPM | ||
| Deeper Wisdom | Mandy Marshall, Mandy Obnorz | F♯ Major | 1 | 2B | 75 BPM | ||
| Sabotage - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | F♯ Major | 1 | 2B | 136 BPM | ||
| The Island Comes to Church | Carter Burwell | F Minor | 2 | 4A | 88 BPM | ||
| The Light Field | The Prestige | E Major | 1 | 12B | 64 BPM | ||
| Is That What Everybody Wants | Cliff Martinez | A Minor | 2 | 8A | 144 BPM | ||
| Goodbye To Jess | The Prestige | E Major | 0 | 12B | 77 BPM | ||
| Freddie's World | Jeff Beal | A Major | 2 | 11B | 148 BPM | ||
| Incident At A Parade - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | D Minor | 2 | 7A | 73 BPM | ||
| Kuba | Declan Seth, Morgan Richards | A Major | 3 | 11B | 65 BPM | ||
| Bedtime Story | Harald Kloser | D Minor | 0 | 7A | 62 BPM | ||
| Diagonal | Roby Piano | C Major | 0 | 8B | 76 BPM |