On August 1, 2014, the song "Hariva Nadiya Aleya Kandaaga" was released by Pallavi, Raju Ananthaswamy, Prasad. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in M. D. Pallavi, Raju Ananthaswamy, Prasad, Pallavi's "Hoo Parimala" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Hariva Nadiya Aleya Kandaaga is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hariva Nadiya Aleya Kandaaga by Pallavi, Raju Ananthaswamy, Prasad to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hey Krishna Kanhai | SAMRAT Vox, Pallavi | E♭ Major | 4 | 5B | 90 BPM | ||
| Kadhoram Sollanaan | Sai, Pallavi, Tamil Amudhan | E Major | 6 | 12B | 91 BPM | ||
| Chala Chunari Chadhave Maihar | Avinash Gupta Golu, Pallavi | E♭ Major | 5 | 5B | 84 BPM | ||
| Changre Hangaama | Sowmya Raoh | C Major | 10 | 8B | 125 BPM | ||
| Emainado | Sravani | C Major | 7 | 8B | 117 BPM | ||
| Maataleraani | Nisha | B Minor | 6 | 10A | 101 BPM | ||
| Cu Cu Ru Cu 1 | Pallavi | G Major | 10 | 9B | 140 BPM | ||
| Jaldi Jaldi Dhoondh Ke Lao | Shiva, Pallavi, Devang Patel | A Minor | 7 | 8A | 115 BPM | ||
| Ekkadapadithe | Mallikarjun | A♭ Major | 7 | 4B | 80 BPM | ||
| Oo Pichi Prema | Ranjith Govind | D♭ Minor | 6 | 12A | 92 BPM | ||
| Paduchu Bangarama | Mallikarjun, Sumangaly | F Minor | 7 | 4A | 88 BPM | ||
| Laal Chapa Saree - Nagpuri | Sankar Baraik, Mantu Dnc, Pallavi | B Minor | 10 | 10A | 80 BPM | ||
| Vallanki Pitta | Kousalya, D. Aiswarya | E Minor | 7 | 9A | 160 BPM | ||
| Okariki Okaru | S.P. Charan, Madhushree | D Minor | 9 | 7A | 108 BPM | ||
| Theeya Theeyani Kalalu | Bombay Jayashri | G Minor | 4 | 6A | 187 BPM | ||
| Aayee Holi Aayee Hai | Pallavi | G Major | 9 | 9B | 134 BPM | ||
| Vevela Mainala Ganam | Ramana Gogula, Sunitha | G Minor | 4 | 6A | 120 BPM | ||
| Kannethi - Bit | Mallikarjun | C Minor | 2 | 5A | 121 BPM | ||
| Nuvvante Pranamani | Vijay Yesudas | G Major | 7 | 9B | 90 BPM | ||
| Choli Hichi Tarakali | Gyanesh Punekar, Pallavi | F♯ Major | 6 | 2B | 179 BPM | ||
| Nacchave Bhama | Sukhwinder Singh | A Major | 8 | 11B | 145 BPM | ||
| Niluvave | Hemachandra Vedala | D♭ Minor | 5 | 12A | 101 BPM | ||
| Sri Rama Lera | Shreya Ghoshal, Ramu | G Major | 4 | 9B | 93 BPM | ||
| Naa Paata | Sunitha | D Major | 8 | 10B | 118 BPM | ||
| Yem Sakkagunnavro | Anuj Gurwara, Chaitra | F Major | 9 | 7B | 113 BPM |