- BPM
- 85
- Key
- A Major
- Camelot
- 11B
Dancing Day- Part Ii - There Is No Rose by John Rutter, Toronto Children's Chorus Song Details
"Dancing Day- Part Ii - There Is No Rose" by John Rutter, Toronto Children's Chorus had its release date on 1991. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 21 in Dancing Day by Toronto Children's Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Dancing Day- Part Ii - There Is No Rose is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Dancing Day- Part Ii - There Is No Rose by John Rutter, Toronto Children's Chorus is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -13.522 dB
- Acousticness
- 98%
- Danceability
- 25%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Saeterjentens Sondag | Johan Svendsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina Mandozzi | D Major | 0 | 10B | 95 BPM | |
 | Chichester Psalms: III. Psalm 131, Adonai, Adonai - Psalm 133:1, Hineh mah tov | Leonard Bernstein, Thomas Kelly, Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd, Paul Charrier, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 83 BPM | |
 | Notre Père | Maurice Duruflé, Thierry Escaich, Le Madrigal De Paris, Pierre Calmelet | C Minor | 1 | 5A | 87 BPM | |
 | Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | |
 | All-night Vigil, Op. 37: No. 14, Thou Didst Rise from the Tomb | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | E♭ Minor | 0 | 2A | 65 BPM | |
 | All Hail the Power of Jesus | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 2 | 10B | 139 BPM | |
 | The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | |
 | Ave verum, Op. 65 No. 1 | Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | |
 | To Every Thing There Is a Season (Version for Mixed Choir & Orchestra) | John Rutter, The Cambridge Singers, City of London Sinfonia | A Major | 1 | 11B | 116 BPM | |
 | A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM | |
 | When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | |
 | Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | |
 | Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | |
 | Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | |
 | Mass for Four Voices: V. Agnus Dei | William Byrd, Stile Antico | F Minor | 1 | 4A | 123 BPM | |
 | The Beatitudes | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 66 BPM | |
 | Ave Maria for 4 Voices | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | D♭ Major | 3 | 3B | 138 BPM | |
 | Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | |
| To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | |
 | Call to remembrance | Richard Farrant, Choir of Clare College, Cambridge, Graham Ross | F Minor | 1 | 4A | 81 BPM | |
 | Semele, HWV 58: Where'er You Walk (Arr. for Oboe & Orchestra by John Rutter) | George Frideric Handel, John Rutter, Manchester Camerata | B♭ Major | 1 | 6B | 80 BPM | |
 | Peace I Leave With You | Amy Beach, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 1 | 5B | 79 BPM | |
| Mass of the Children: I. Kyrie | John Rutter, Joanne Lunn, Roderick Williams, Cantate Youth Choir, The Cambridge Singers, City of London Sinfonia | C Major | 1 | 8B | 78 BPM | |
 | Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | |
 | Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM |
- ISRC
- CAM239900158
- Label
- L-M Records/RCA Records