Anuj Kadam's ' "Majha Mumbaicha Raja Aala" was released on its scheduled release date, July 21, 2024. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. Because this song is the only song in Majha Mumbaicha Raja Aala and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Majha Mumbaicha Raja Aala's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Majha Mumbaicha Raja Aala by Anuj Kadam to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| MNS Anthem Song | Avdhoot Gupta, Hitesh Modak, Apurva Nishaad | F Minor | 9 | 4A | 80 BPM | ||
| Market Gajvin G | Hrutik Gangavne | F♯ Minor | 9 | 11A | 127 BPM | ||
| Jai Deva | Rohan Pradhan, Ganesh Chandanshive, Rohan Gokhale | D♭ Major | 8 | 3B | 124 BPM | ||
| Andhakara Tumbida (From "Mark") (Kannada) | B.Ajaneesh Loknath, Kundan Aryan, Aniruddha Sastry | D Minor | 3 | 7A | 180 BPM | ||
| Mashal Song | ShivSena | F Minor | 10 | 4A | 141 BPM | ||
| Patil Vadyav Yeun Bagha | Sajan Kalan, Ajay Gaikwad | F♯ Major | 9 | 2B | 154 BPM | ||
| Lakhabaichi Ovi | Akash Shinde | D♭ Major | 8 | 3B | 80 BPM | ||
| Chal Bhala Bhiya - Folk | Rohini Banoth | F♯ Major | 9 | 2B | 87 BPM | ||
| Madam Kadak Ahe - From "Ekdam Kadak" | Umesh Gawali | A♭ Major | 6 | 4B | 143 BPM | ||
| Kolyachi Por | Shrawani Mahajan | D♭ Major | 6 | 3B | 81 BPM | ||
| Aala Re Govinda Aala | Dhruvan Moorthy, Komal Rajguru, Subaschandra Panda | A Minor | 9 | 8A | 95 BPM | ||
| Apla Amdar Ajit Gavhane | Manish Rajgire | B♭ Minor | 7 | 3A | 81 BPM | ||
| Chaityancha Rang | Priyanka Barve, Sai Temebkar, Madhura Kumbhar, Anandi Joshi | F Major | 7 | 7B | 141 BPM | ||
| Aalay Dola Ghalti Ka Limboli | Romiyo Kamble | G Major | 8 | 9B | 113 BPM | ||
| Sanjeevan Samadhi Sohala Abhang - From "Sant Dnyaneshwaranchi Muktaai" | Suvarna Rathod, Nandesh Umap, Nidhi Hegde, Raghunandan Panshikar, Ajay Purkar | G Major | 5 | 9B | 91 BPM | ||
| Chandanache Haat | Abhanga Repost | B Minor | 8 | 10A | 149 BPM | ||
| Dawa Sivraaj Ko | Devdutta Manisha Baji | F♯ Major | 8 | 2B | 118 BPM | ||
| Amhla Jo Koni Nadto To Direct Asto Dhagat | Ajay Gaikwad | G Major | 10 | 9B | 139 BPM | ||
| Shivrayanchya Killyanvar | Sujit-Viraj, Sharayu Date | B♭ Major | 6 | 6B | 83 BPM | ||
| Aarambh Hai Prachand Hai | Arunkumar Aryaveer | A Major | 10 | 11B | 125 BPM | ||
| NASHIK KAWDI | AMOL PAWAR, Yogesh Jadhav | D Major | 10 | 10B | 125 BPM | ||
| Bhimrao Powerful Original | Hiral Kamble, Kadubai Kharat, DJ HK Style | E♭ Minor | 5 | 2A | 96 BPM | ||
| Aaplya Love Storycha Hindi Picture | Mangesh Chavan, Kavita Ram | C Minor | 5 | 5A | 174 BPM | ||
| Tu Bhari Tuzya ghari | Sanket Patil, Siddharth Gajghate | C Minor | 9 | 5A | 145 BPM | ||
| Nath Bolatat Shabari | Akash Shinde | C Minor | 10 | 5A | 140 BPM |