Hector Rojas's 'Tiempo de schottisch' had a release date set for 1998. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Tiempo de schottisch's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 17 out of 186. Based on our statistics, Tiempo de schottisch's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tiempo de schottisch by Hector Rojas to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 27. Aria | George Rochberg, Laura Lootens | A Minor | 0 | 8A | 108 BPM | ||
| Estrellita (Arr. Abril & Barrueco for Guitar) | Manuel Ponce, Alexandra Whittingham | D Major | 0 | 10B | 113 BPM | ||
| Andante No. 1, Op. 320 | Ferdinando Carulli, Flavio Cucchi | A Minor | 0 | 8A | 147 BPM | ||
| Chiquilín de Bachín (Arr. V. Coves for Guitar) | Vicente Coves | A Minor | 2 | 8A | 97 BPM | ||
| Homenaje a Tarrega: I. Garrotin | Joaquín Turina, Sebastien Llinares | D Major | 2 | 10B | 141 BPM | ||
| Handel: Suite No.4 In D Minor For Harpsichord, HWV 437: 3. Sarabande (Arr. For Solo Guitar By Andrés Segovia) | George Frideric Handel, Andrés Segovia | D Minor | 3 | 7A | 86 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 - Upright Version | Domenico Scarlatti, Julius Asal | E♭ Major | 0 | 5B | 68 BPM | ||
| 12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre, Lucero Tena | E Minor | 1 | 9A | 151 BPM | ||
| Keyboard Sonata in D Minor, R. 39 (Arr. for 2 Guitars by Volker Niehusmann) | Antonio Soler, Niehusmann Guitar Duo | A Minor | 2 | 8A | 86 BPM | ||
| Mélancolie, Op. 23 (Version for 2 Guitars) | José Ferrer, Jørgen Skogmo, Jens Franke | E Major | 0 | 12B | 84 BPM | ||
| Romance sans paroles, Op. 23 (Arr. by Söllscher) | Karl Davydov, Jian Wang, Göran Söllscher | G Major | 0 | 9B | 103 BPM | ||
| Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
| Prélude, Op. 10 | Mel Bonis, Rosie Bennet | E♭ Major | 0 | 5B | 50 BPM | ||
| 5 Romances: Romance No. 2 'Dusk' | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Intermezzo No. 1 in E minor | Naël Monteleone, Manuel Ponce | E Minor | 3 | 9A | 126 BPM | ||
| A la Santaninfara | Roberta Gennuso, Stefano Vivaldini | D Minor | 0 | 7A | 89 BPM | ||
| Piano Concerto No. 1 "Romantico": I. Allegro appassionato | Manuel Ponce, Jorge Federico Osorio, Orquesta Sinfónica de Minería, Carlos Miguel Prieto | F♯ Minor | 2 | 11A | 136 BPM | ||
| Granados: 12 Danzas españolas: No. 2, Oriental (Arr. Barrueco & Müller-Pering for Two Guitars) | Manuel Barrueco, Thomas Müller-Pering | G Minor | 0 | 6A | 113 BPM | ||
| By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| El Día Que Me Quieras | Victor Villadangos | D Major | 0 | 10B | 80 BPM | ||
| Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
| Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM | ||
| Prelude (for Olga) | Gerald Garcia | A Minor | 0 | 8A | 76 BPM | ||
| Sainz de la Maza: La frontera de Dios: V. Sacrificio | Regino Sáinz de la Maza, Thibaut García | E Minor | 0 | 9A | 70 BPM |