"Goodbye (12)" by Chris Connor had its release date on January 1, 1954. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Goodbye (12)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 8 in Chris Connor Sings Lullabys For Lovers (Remastered 2013) by Chris Connor. In terms of popularity, Goodbye (12) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Goodbye (12) by Chris Connor is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goodnight My Love | Rachael & Vilray | A Minor | 2 | 8A | 119 BPM | ||
| Let's Do It | Eartha Kitt | A♭ Major | 1 | 4B | 97 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| I'm Old Fashioned | Sarah McKenzie | A Minor | 4 | 8A | 114 BPM | ||
| These Foolish Things | Chris Connor | G Major | 2 | 9B | 88 BPM | ||
| Night and Day | Emma Smith | D Minor | 1 | 7A | 124 BPM | ||
| All Dressed Up with a Broken Heart | Chris Connor | E Minor | 1 | 9A | 130 BPM | ||
| Vecinos que se preocupan | Cromatica nocturna | A♭ Major | 2 | 4B | 72 BPM | ||
| Taking A Chance On Love | Anita O'Day, Oscar Peterson Quartet | F Major | 2 | 7B | 139 BPM | ||
| Statue Of Snow | Sue Raney | G Minor | 1 | 6A | 110 BPM | ||
| Your Love Has Faded | Johnny Hodges | C Major | 1 | 8B | 63 BPM | ||
| Why Don't We Try Staying Home? | Susannah McCorkle | F♯ Major | 0 | 2B | 104 BPM | ||
| Happy Little Sunbeam | Chet Baker Quartet | C Major | 3 | 8B | 122 BPM | ||
| Watch What Happens | Morgana King | E Minor | 2 | 9A | 210 BPM | ||
| The Man I Love | Veronica Swift | C Minor | 1 | 5A | 124 BPM | ||
| Embraceable You | Sarah Vaughan, Clifford Brown | C Major | 1 | 8B | 119 BPM | ||
| Gee, Baby, Ain't I Good To You | Buddy Greco | E♭ Major | 2 | 5B | 105 BPM | ||
| Woman's Got Soul | Joe Williams | D♭ Major | 4 | 3B | 129 BPM | ||
| Red Top | King Pleasure | A♭ Major | 2 | 4B | 116 BPM | ||
| Back in Your Own Back Yard | Madeleine Peyroux, William Galison | B♭ Major | 4 | 6B | 176 BPM | ||
| Baby, Won't You Please Come Home? - Single Version | Ella Fitzgerald and Her Famous Orchestra | G Minor | 1 | 6A | 92 BPM | ||
| The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
| Goodbye Little Dream, Goodbye | Susannah McCorkle | D Minor | 0 | 7A | 80 BPM | ||
| The Lonesome Road - from Double Exposure | Maynard Ferguson And His Orchestra, Chris Connor | D♭ Major | 5 | 3B | 178 BPM | ||
| It Had To Be You | Betty Hutton, Robert Norberg | B♭ Minor | 1 | 3A | 97 BPM |