Sweet Megg's 'Piccadilly Line (Waiting)' had a release date set for May 16, 2025. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Never Been Home". In this album, this song's track order is #4. Piccadilly Line (Waiting) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piccadilly Line (Waiting) by Sweet Megg having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clint Eastwood | Electronic Swing Orchestra | G Major | 7 | 9B | 170 BPM | ||
| Lovable and Sweet | Mint Julep Jazz Band | G Major | 3 | 9B | 185 BPM | ||
| The Little Man Who Wasn't There | Hannah Gill | B♭ Minor | 5 | 3A | 111 BPM | ||
| Who's Sorry Now | Boilermaker Jazz Band | B♭ Major | 7 | 6B | 107 BPM | ||
| Rotterdam | Pokey LaFarge | G Minor | 8 | 6A | 170 BPM | ||
| Black Orpheus | Connie Evingson, John Jorgenson Quintet | D Minor | 3 | 7A | 119 BPM | ||
| L-O-V-E | The Black Market Trust | D Major | 4 | 10B | 92 BPM | ||
| Jubilee Stomp | Tuba Skinny | E Major | 2 | 12B | 94 BPM | ||
| Why Don't You Do Right | NYC Jazz Quartett | E♭ Minor | 3 | 2A | 79 BPM | ||
| I Feel the Earth Move | Aubrey Logan | A♭ Major | 4 | 4B | 118 BPM | ||
| Blue Drag | The Blue Vipers Of Brooklyn | D♭ Major | 4 | 3B | 93 BPM | ||
| Old-Fashioned Love | Tia Brazda | B♭ Major | 6 | 6B | 98 BPM | ||
| Bad Habits | Scott Bradlee's Postmodern Jukebox, Ashley Campbell | A Minor | 4 | 8A | 121 BPM | ||
| Tom's Diner | The Lost Fingers | F Major | 4 | 7B | 95 BPM | ||
| If I Can Dream | Georgia Crandon | E Major | 5 | 12B | 186 BPM | ||
| The Real Slim Shady | Oli Parker | F Minor | 5 | 4A | 105 BPM | ||
| Who Walks in When I Walk Out | Sweet Megg | A Minor | 8 | 8A | 135 BPM | ||
| All You Gotta Do Is Talk | Melinda Sullivan, Larry Goldings | F♯ Major | 6 | 2B | 140 BPM | ||
| Goody Goody | Naomi & Her Handsome Devils | F Minor | 5 | 4A | 94 BPM | ||
| Basket Case | Scott Bradlee's Postmodern Jukebox, Tatum Langley | G Major | 6 | 9B | 149 BPM | ||
| Pennies from Heaven | Leftover Cuties | F Minor | 6 | 4A | 120 BPM | ||
| It's All Right With Me - 2002 - Remastered | Kay Starr | F Minor | 4 | 4A | 96 BPM | ||
| Beyond The Sea | Scott Bradlee, Sunny Holiday | C Major | 3 | 8B | 134 BPM | ||
| Demon Kitty Rag | Katzenjammer | A Major | 8 | 11B | 126 BPM | ||
| Feel It Still | Scott Bradlee's Postmodern Jukebox, Joey Cook, Nina Ann Nelson | C Major | 6 | 8B | 150 BPM |