"〇と△の歌" by Toru Takemitsu, Kanji Ishimaru, つのだたかし had its release date on June 1, 2016. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. 〇と△の歌's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 武満徹のうた, so we believe that "〇と△の歌" is a single. Based on our statistics, 〇と△の歌's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 〇と△の歌 by Toru Takemitsu, Kanji Ishimaru, つのだたかし is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 2 Novelettes, FP 47: Novelette No. 3 in E Minor: Andantino tranquillo | Francis Poulenc, Olivier Cazal | D Major | 1 | 10B | 128 BPM | ||
| Romance for Tree | Shin-ichi Fukuda | D Major | 0 | 10B | 92 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Orgelbüchlein, BWV 599-644: Alle Menschen müssen sterben, BWV 643 (Arr. Thomas for Piano Trio) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | G Major | 0 | 9B | 128 BPM | ||
| The Viola in My Life III | Morton Feldman, Antoine Tamestit, Paulo Alvares | D♭ Major | 0 | 3B | 66 BPM | ||
| Lute Suite in E Minor, BWV 996: II. Allemande - arr. for Guitar | Johann Sebastian Bach, Sean Shibe | C Major | 3 | 8B | 104 BPM | ||
| Pause ininterrompue (Uninterrupted Rests): III. A song of love | Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Stravinsky: Concerto in E-Flat Major "Dumbarton Oaks": II. Allegretto | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | B♭ Major | 0 | 6B | 97 BPM | ||
| The Crimson Citadel / Surrendering the Castle (Desert of Madness) | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | ||
| Prelude No. 5 | Federico Mompou, Mao Fujita | A Major | 3 | 11B | 80 BPM | ||
| 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | ||
| Prélude, Fugue et Variation, Op. 18: I. Prélude. Andantino | César Franck, Mao Fujita | A Major | 3 | 11B | 80 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | E Minor | 0 | 9A | 78 BPM | ||
| Whispered Lullaby | Dobrinka Tabakova, Maxim Rysanov, Dasol Kim | C Major | 1 | 8B | 84 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 48 BPM | ||
| Samantha Sketches: II. Skyward | Mark Abel, Alice K. Dade, Ieva Jokubaviciute | F♯ Minor | 1 | 11A | 98 BPM | ||
| Suite de danzas criollas, Op. 15: I. Adagietto pianissimo (2nd Version) | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 128 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | F♯ Minor | 1 | 11A | 98 BPM |