"Pieces de viole, Book 5, Suite in G Major: II. Rondeau le Troilleur" by Marin Marais, Jakob David Rattinger, Rosario Conte, Ralf Waldner had its release date on January 7, 2014. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rosario Conte, Jakob David Rattinger, Ralf Waldner's "L'Univers de Marin Marais" album is number 5 out of 22. On top of that, Germany appears to be the country where this track was created. The popularity of Pieces de viole, Book 5, Suite in G Major: II. Rondeau le Troilleur is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pieces de viole, Book 5, Suite in G Major: II. Rondeau le Troilleur by Marin Marais, Jakob David Rattinger, Rosario Conte, Ralf Waldner to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Troisième Leçon de Ténèbres | François Couperin, Jordi Savall | A Minor | 0 | 8A | 209 BPM | ||
| Concerto grosso No. 5 in D Minor: I. Largo (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | E Minor | 2 | 9A | 140 BPM | ||
| Fantaisie en Mi mineur (Arrangement Jordi Savall d'après Mr. de Sainte Colombe le fils) | Mr. de Sainte-Colombe le Fils, Public Domain, Jordi Savall | E♭ Minor | 0 | 2A | 61 BPM | ||
| A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
| Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Harke, Harke (Sol Mineur) (Hume) | Jordi Savall | G Minor | 0 | 6A | 123 BPM | ||
| La Sonnerie de Sainte-Geneviève du mont de Paris | Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 2 | 1A | 119 BPM | ||
| Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | N/A | N/A | N/A | 0 BPM | ||
| Passacaglia « Libertas » (Jordi Savall) | Jordi Savall, Le Concert Des Nations | D Minor | 1 | 7A | 78 BPM | ||
| La dama le demanda | Fahmi Alqhai, Antonio de Cabezón, Accademia del Piacere | F♯ Minor | 1 | 11A | 82 BPM | ||
| Concerto in D Minor, for Two Violas da Gamba - "Tango": II. Adagio morganesco | René Duchiffre, Apollo's Fire, Jeannette Sorrel | D♭ Minor | 0 | 12A | 92 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Lachrimae | John Dowland, Elizabeth Kenny, Theatre of Early Music | F♯ Minor | 0 | 11A | 87 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Mystery Sonata No. 2 "The Visitation": II. Allaman - III. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Major | 1 | 4B | 95 BPM | ||
| Suite in G Major: I. Preludio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 92 BPM | ||
| Suite in G Major: VI. Giga Al Genio Turchesco | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | D♭ Major | 3 | 3B | 58 BPM | ||
| Aria Burlesca | Johannes Schenck, Jordi Savall | D Major | 1 | 10B | 72 BPM | ||
| Telemann: Der getreue Music-Meister, No. 45, Sonata for Viola da gamba in D Major, TWV 40:1: III. Recitativo - Anadante arioso | Georg Philipp Telemann, Sarah Cunningham | D♭ Major | 1 | 3B | 139 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Major | 1 | 9B | 144 BPM | ||
| Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
| Concert XXVII: Bourrasque - Bourrasque | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 1 | 12A | 65 BPM | ||
| Sonate in A Minor: IV. Sarabande | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Justin Taylor | D♭ Major | 1 | 3B | 110 BPM | ||
| Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM |