On December 1, 1974, the song "Nirvanstakam" was released by Pujya Bhaishree Rameshbhai Ojha. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Shiv Mala, Vol. 2". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Nirvanstakam is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nirvanstakam by Pujya Bhaishree Rameshbhai Ojha having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Samba Sadashiva Samba Sadashiva Sankirtan | naadoham | A♭ Minor | 6 | 1A | 120 BPM | ||
| Namami Shamishaan | Sharma Bandhu | F♯ Major | 5 | 2B | 138 BPM | ||
| Radharaman Ki Nazariya | Prashant Krishna Chaturvedi | F Minor | 5 | 4A | 116 BPM | ||
| Saraswati Vandana | Prem Prakash Dubey | B♭ Major | 6 | 6B | 135 BPM | ||
| Radha Krishna Pran Mora | Swarup Damodar Prabhu | B Major | 5 | 1B | 128 BPM | ||
| Bhayahara Mangala Dasaratha Ram | Ramakrishna Math, Monks of the Ramakrishna Order | G Major | 4 | 9B | 81 BPM | ||
| Tum Ho Ganesh | Shahnaaz Akhtar | G Minor | 8 | 6A | 132 BPM | ||
| Narayana Narayana Jai | Swami Haridhos Giri Guruji | B♭ Major | 4 | 6B | 171 BPM | ||
| Aate Bhi Ram Bolo | Anil Hanslas | F Major | 5 | 7B | 85 BPM | ||
| Jara Itna Bata De | Manish Tiwari | A♭ Major | 4 | 4B | 127 BPM | ||
| Ratega Radhe Radhe Radhe | Pujya Bhaishree Rameshbhai Ojha | B♭ Minor | 3 | 3A | 77 BPM | ||
| Jai Jai Bhavani Maa | Bhanumathi Narasimhan | B♭ Major | 4 | 6B | 174 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Kunjika Stotram | Prem Prakash Dubey | F♯ Major | 7 | 2B | 142 BPM | ||
| Leke Chalo Palki Shirdi Ke Nath Ki | Sachidanand Appa | A♭ Major | 5 | 4B | 130 BPM | ||
| Shani Dev Aarti | Vishwajeet Borwankar, Priyanka Sarvadnya | G Major | 2 | 9B | 71 BPM | ||
| Raghupati Raghav | Baal Gopal, Hladini | A Major | 3 | 11B | 113 BPM | ||
| Koi Kahe Govind | Vandana Bhardwaj | F Major | 8 | 7B | 120 BPM | ||
| Sri Kedarnath Stuti | Mrityunjay Hirmeth | D♭ Major | 2 | 3B | 78 BPM | ||
| Bhairav Baba Chalisa | Prem Prakash Dubey | B Minor | 4 | 10A | 133 BPM | ||
| Mangal Murti Ram Dulare | Avinash Karn | D♭ Minor | 6 | 12A | 134 BPM | ||
| Bhagwan Tumhare Charno Mein | Santosh Upadhyay | C Major | 7 | 8B | 120 BPM | ||
| Piye Jaa Prabhu Ramji Ka Naam Pyara | Sharma Bandhu | B Major | 6 | 1B | 117 BPM | ||
| Shree Natraja Stuti | Pujya Bhaishree Rameshbhai Ojha | A♭ Minor | 6 | 1A | 136 BPM | ||
| Dulha Bana Hai Baba Ujjain Ki Nagri Me | Shree Darshan, Nitin Bagwan | D♭ Minor | 4 | 12A | 80 BPM |