Ghantasala's ' "Adigo Adithya" was released on its scheduled release date, April 12, 1965. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 26 in the song's album "Sathya Harishchandra". In this album, this song's track order is #22. Furthermore, we believe that the track originated from India. Based on our statistics, Adigo Adithya's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Adigo Adithya by Ghantasala having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thelavaareno Sai Baba | Nithya Santhoshini | D♭ Major | 5 | 3B | 87 BPM | ||
| Konjam Thallikkanum | J. P. Chandrababu | F♯ Minor | 6 | 11A | 93 BPM | ||
| Lechindi Mahilalokam | Ghantasala | D Major | 6 | 10B | 83 BPM | ||
| Raara Krishnaiah | Ghantasala | F Major | 3 | 7B | 91 BPM | ||
| Sri Hanuman Dandakam | Parupalli Sri Ranganath | A Major | 6 | 11B | 87 BPM | ||
| Manchi Vennala Ippudu | S. P. Sailaja, Ramesh Naidu, Kshetrayya | F♯ Minor | 8 | 11A | 95 BPM | ||
| Madhura Ee Kshana | Dr.Rajkumar, Manjula Gururaj | C Minor | 8 | 5A | 117 BPM | ||
| Lakshmi Baramma | Dr.Rajkumar, Manjula Gururaj | C Minor | 4 | 5A | 175 BPM | ||
| Sri Kanaka Durga | Parupalli Ranganath, Traditional | C Major | 6 | 8B | 137 BPM | ||
| Hey Chandrachooda | P. Leela, Ghantasala | B Minor | 3 | 10A | 176 BPM | ||
| Poovagi Kaayagi | Bhanumathi Ramakrishna | E♭ Major | 4 | 5B | 144 BPM | ||
| Chirunavvula Tholakarilo | S. P. Balasubrahmanyam, P. Susheela | F♯ Minor | 5 | 11A | 84 BPM | ||
| Aralida Thanuvidu | Dr.Rajkumar | B♭ Major | 8 | 6B | 127 BPM | ||
| Vantha Naal Muthal | Jamuna Rani, L. R. Eswari, Soolamangalam Rajalakshmi, L. R. Anjali | A Minor | 8 | 8A | 179 BPM | ||
| Saarada Nanu Cheraga | V. Ramakrishna | A♭ Minor | 8 | 1A | 136 BPM | ||
| Sreemadramaramana - Srinivasa Kalyana / Soundtrack Version | Various Artists | C Minor | 10 | 5A | 160 BPM | ||
| Ramakathanu Vinarayyaa | P. Susheela, P. Leela, Ghantasala | A Major | 4 | 11B | 63 BPM | ||
| Emani Keerthinthu | Partha Saradhi | B Minor | 6 | 10A | 110 BPM | ||
| Manasunamallela | Bhanumathi Ramakrishna, D. Krishna Sastry | A♭ Major | 2 | 4B | 76 BPM | ||
| Gajamukhane | Sreedharan Mundanghat, Praveen.D. Rao, Vijay Narasimha | G Major | 4 | 9B | 90 BPM | ||
| Ondhu Maathu | Dr.Rajkumar, Sulochana | E Minor | 6 | 9A | 92 BPM | ||
| Edo Edo Annadi | V. Ramakrishna | D Major | 7 | 10B | 90 BPM | ||
| Chankkanni | Surya, Talapakka Sri Annamacharya, N.S. Prakasa Rao | F Major | 5 | 7B | 154 BPM | ||
| Boddulo Rupaybilla | Mano, Chitra | C Major | 8 | 8B | 104 BPM | ||
| Srikarulu Devathalu | M. L. Vasanthakumari, Pingali Nagendrarao | E Major | 5 | 12B | 139 BPM |