"Rí" by Kyle Preston had its release date on April 3, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 25 in Críocha by Kyle Preston. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Rí is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rí by Kyle Preston is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Momentary | Peter Sandberg | G Minor | 1 | 6A | 94 BPM | ||
| Eternal Recluse | Kyle Preston | A Minor | 2 | 8A | 91 BPM | ||
| Ascensión | Yamila | G Minor | 1 | 6A | 94 BPM | ||
| Meltwater Elegy | Kyle Preston | F Major | 2 | 7B | 79 BPM | ||
| Taken | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Everything Else Disappears | Martin Stig Andersen, Gildaa | G Minor | 1 | 6A | 94 BPM | ||
| look at the stars | Her Eyes Were Green, Kyle Preston | D♭ Major | 1 | 3B | 61 BPM | ||
| Undertone | Near The Parenthesis | G Minor | 1 | 6A | 94 BPM | ||
| Borne | Christopher Dennis Coleman | A♭ Minor | 1 | 1A | 85 BPM | ||
| On tomorrows | Mattia Vlad Morleo | F Minor | 1 | 4A | 109 BPM | ||
| A Través de Sus Ojos | Cedric Vermue | A Minor | 2 | 8A | 96 BPM | ||
| Artefact | MEDIANA | G Minor | 1 | 6A | 94 BPM | ||
| The Crash | David Schweitzer | A♭ Major | 3 | 4B | 95 BPM | ||
| sanctus | Anita Tatlow, Jameson Nathan Jones | F Major | 0 | 7B | 132 BPM | ||
| Sleep Can't Wait | Kyle Preston | A Minor | 2 | 8A | 70 BPM | ||
| Lost Reality, Pt. 3 | Kyle Preston | C Minor | 1 | 5A | 69 BPM | ||
| C# PAD | Heaven Track | F♯ Major | 2 | 2B | 102 BPM | ||
| Ecos del Pasado | Cedric Vermue | G Minor | 2 | 6A | 93 BPM | ||
| Predation | Swik | C Minor | 2 | 5A | 84 BPM | ||
| xx | Swik, Hoams | D Major | 1 | 10B | 85 BPM | ||
| Ocean Shadows | Chelsea McGough | C Minor | 2 | 5A | 60 BPM | ||
| Moments in Tone | Auren Noah | B Minor | 2 | 10A | 138 BPM | ||
| A Shore We'll Never Find | Kyle Preston | D Major | 2 | 10B | 57 BPM | ||
| To What Earth | Kino | C Major | 0 | 8B | 109 BPM | ||
| Echo and the Sea | Rose Riebl | A♭ Major | 1 | 4B | 66 BPM |