"Philia" by Nicholas Britell had its release date on November 9, 2018. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Philia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nicholas Britell's "If Beale Street Could Talk (Original Motion Picture Score)" album is number 17 out of 23. On top of that, United States appears to be the country where this track was created. Based on our statistics, Philia's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Philia by Nicholas Britell to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Samira's Theme | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| The Vanished Elephant - Main Theme | Selma Mutal | C Minor | 2 | 5A | 81 BPM | ||
| Staircase to Nowhere | Jim Perkins | D♭ Minor | 3 | 12A | 71 BPM | ||
| Form Takes | Bing & Ruth | F♯ Major | 3 | 2B | 75 BPM | ||
| Two Concurrent States (Plainsong, Pt. 2) | Ben Salisbury | G Minor | 1 | 6A | 66 BPM | ||
| The Globe Newsroom | Howard Shore | G Major | 0 | 9B | 106 BPM | ||
| Brothers Talk | Kris Bowers | A Minor | 1 | 8A | 70 BPM | ||
| Driving Home with Stolen Treasures | Emile Mosseri | F Minor | 1 | 4A | 90 BPM | ||
| Nineteen | Pierre Charles | C Minor | 1 | 5A | 102 BPM | ||
| Five Minutes from Now | Daniel Hart | G Major | 2 | 9B | 159 BPM | ||
| Life As a Carer | Rachel Portman | A Minor | 0 | 8A | 66 BPM | ||
| Fire Temple | Bobby Krlic | F♯ Major | 3 | 2B | 81 BPM | ||
| Coney Island | Kris Bowers | F Major | 2 | 7B | 106 BPM | ||
| Welcome Back Subjects | Dan Romer | C Minor | 1 | 5A | 84 BPM | ||
| My Dear Anne | Carter Burwell | A Minor | 0 | 8A | 82 BPM | ||
| An Immigrant and a Tourist | Christopher Bear, Daniel Rossen | F♯ Major | 3 | 2B | 83 BPM | ||
| B-Flat Prelude | Nicholas Britell | F♯ Major | 0 | 2B | 116 BPM | ||
| Melancholy's Embrace | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | B Minor | 2 | 10A | 110 BPM | ||
| Belief | West Dylan Thordson | B♭ Major | 3 | 6B | 66 BPM | ||
| Bleach (Prologue) | Chris Roe, Solem Quartet, Amy Green | G Minor | 2 | 6A | 83 BPM | ||
| Intro | Emile Mosseri | D♭ Major | 2 | 3B | 74 BPM | ||
| They Belong to the Sea | Jan Miserre, John Gürtler | G Major | 9 | 9B | 138 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| III | Ethan Gruska | E♭ Major | 0 | 5B | 47 BPM | ||
| Different Kinds Of Cry | Alexis Grapsas | B♭ Major | 0 | 6B | 84 BPM |